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Author Topic: Which splicing tape is the best?
Brian Paymer
Film Handler

Posts: 31

Registered: Jun 99


 - posted 06-13-1999 12:07 AM      Profile for Brian Paymer     Send New Private Message       Edit/Delete Post 
I was wondering which splicing tape is the best. Our supplier changes all the time and many of the rolls stretch and won't come off when we try to peel it off. Any recommendations?

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Mitchell Cope
Master Film Handler

Posts: 256
From: Overland Park, KS, United States
Registered: Jun 99


 - posted 06-13-1999 08:35 AM      Profile for Mitchell Cope   Email Mitchell Cope   Send New Private Message       Edit/Delete Post 
I don't know which is tape best, but I have a related question. I have a Hollywood splicer that cuts 8 perfs (4 perfs each edge) per operation. The splicing tape I got from a cinema supplier (supposedly standard) is just wide enough to require 10 perf cuts (5 perfs each edge). This causes me to have to do one extra operation. Should a standard splice be 4 or 5 perfs long?

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-13-1999 01:52 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Personally, I think ALL splicers should cut and punch 8 perfs wide (4 perfs each side of the cut). If Neumade would change their design enough to allow for the extra width tape, theirs would be the best. As it is, Neumade's only splices with the standard 5 perf wide tape. But to answer Mitchell's question, I've seen splicers that only punch one perforation on each side, so I don't think it matters too much as for reliability.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-13-1999 01:55 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Personally, I feel the Neumade tape wins out in durability and ease of removal. Quick splice tape (manufactured by Hudson Photographic) is probably the best tape to use for archival splices, as it is extra thin, applies evenly, but does not peel off as easy as Neumade.

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Christopher Seo
Jedi Master Film Handler

Posts: 530
From: Los Angeles, CA
Registered: Jun 99


 - posted 06-13-1999 03:16 PM      Profile for Christopher Seo   Email Christopher Seo   Send New Private Message       Edit/Delete Post 
Exactly my sentiment. When the splices end only partway through the frames, the edges of the tape are often clearly visible in the projected picture as horizontal black lines. Is that the reason you prefer the 8-perf splice, because it would put the tape edges on the framelines and therefore be more invisible? And what is the best splicer that currently does this?

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-13-1999 05:03 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I'm not aware of a splicer that uses unperforated 8 perf wide tape. Although, if anyone knows of such an item, I would be extremely interested!

Yes, my main beef with the typical splicers is the black tape edge that is sometimes visible. However, if tape is only ordered in rolls of 8 at a time, the vendors will send you an unopened package direct from Neumade. Then, simply don't take the rolls out of the package until it is ready to be loaded onto the splicer. Sitting the rolls of tape on it's edge is where most of the dirt is picked up and projects as a black line.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 06-13-1999 07:05 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
The best splicing tape I have used is the Neumade clear tape, as others have said. It's strong, easy to peel, and looks good on screen. I've also had good luck with the tape from Christie's Editorial in Burbank, CA, but their prices are a bit too high.

Whatever brand makes the opaque white tape is definitely my least favorite because of the difficulty of peeling (especially important for getting that opaque junk off of prints that arrive from careless projectionists).

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 06-13-1999 08:22 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
I would have to agree that the best tape is the Neumade clear (not zebra). Very durable. and also very easy to peel off when breaking down a print, and it does not leave any kind of residue on the film like some other cheesy tapes.

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Christopher Santapaola
Film Handler

Posts: 38
From: Gloucester, MA, USA
Registered: Oct 2001


 - posted 12-14-2001 09:57 AM      Profile for Christopher Santapaola   Email Christopher Santapaola   Send New Private Message       Edit/Delete Post 
I have just recently posted on this same subject a little while ago.

How long have you all been talking about this????

Managers in the booth.
Not sure where it is now.


------------------
-Life is but a walking shadow, a poor player that walks, and struts its hour upon the stage, and then is heard no more. It is a tale told by an idiot. Full of sound and fury signifying nothing.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-14-2001 01:01 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The much maligned CIR is available in a 8 perf version and Frame to Frame is probably the most used wide tape
Over all I find the tape made for Jack Roe (UK) the best In the US it is Marble or CPI and many dealers buy in bulk with there own logo on it

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 12-14-2001 02:26 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
By using an 8-perf tape splicer and 1.5 inch wide splicing tape, the edges of the tape fall on the framelines, making the splice even less visible on the screen.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 12-14-2001 02:36 PM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
Neumade clear

------------------
Greg Mueller
Amateur Astronomer, Machinist, Filmnut
http://www.muellersatomics.com/

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Mitchell Cope
Master Film Handler

Posts: 256
From: Overland Park, KS, United States
Registered: Jun 99


 - posted 12-14-2001 06:19 PM      Profile for Mitchell Cope   Email Mitchell Cope   Send New Private Message       Edit/Delete Post 
John said,
quote:
By using an 8-perf tape splicer and 1.5 inch wide splicing tape, the edges of the tape fall on the framelines, making the splice even less visible on the screen.

Sounds great, but could I pull that wide of a tape easily and then apply it evenly without any air bubbles?


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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-14-2001 07:41 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
It usually isn't a problem working with the wider tape

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Mitchell Cope
Master Film Handler

Posts: 256
From: Overland Park, KS, United States
Registered: Jun 99


 - posted 12-14-2001 11:36 PM      Profile for Mitchell Cope   Email Mitchell Cope   Send New Private Message       Edit/Delete Post 
I'm curious, how wide is the splicing tape for 70mm film?

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