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This topic comprises 3 pages: 1 2 3
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Topic: evil trailers from hell
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Andrew D'Vrey
Film Handler
Posts: 92
From: St. Paul, MN USA
Registered: Dec 1999
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posted 03-29-2000 10:46 PM
Mark: I don't think all trailers come from hell. Technicolor can't be responsible for all the world's evil. ...I think.
------------------ "And the monkey flips the switch." - Major Don West, "Lost In Space" Andrew D'Vrey IATSE Local 219
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Randy Stankey
Film God
Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 04-05-2000 02:49 PM
I don't mind film jokes like fake film breaks and stuff like that but I do hate when they do them wrong...1) In the trailer for Gone in 1/1440 Days the countdown leader looks like it was FLAT being played in SCOPE. 2) In the trailer for Black and White there are fake scratches in the film. There are way to many of them to be real and they dance around too much. What's the deal with fake scratches anyway? They do that on TV now! It's just TACKY! There are probably millions more I could list but I think you get the point.
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 04-05-2000 03:37 PM
As many on Film-Tech have noted, there is no reason for film to have scratches when handled by skilled people on well-maintained equipment. I have seen many prints after hundreds of runs that look brand new. And unfortunately, I've seen a few that look bad during the first run. But I agree with Randy that the fake scratches and dirt that are so overused to portray "FILM" on television are tacky, and demeaning to the professionals who handle film correctly. Ironically, the vast majority of shows on television are shot on FILM! ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com
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