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This topic comprises 2 pages: 1 2
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Topic: Cinema Museum Pics........
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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!
Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999
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posted 06-13-2000 07:58 PM
Scott Said:"Isn't there some guy in San Francisco or some similar place who has a cinema equipment museum that's similar to the (former) one in Chicago? I vaguely remember reading something about this in r.a.m.tech a few years ago." Yes, thats the Dick Bartel Collection of vintage projection equipment at the Cannery in San Francisco. I visited this place a couple years ago (I am not sure if its still around, but i assume it is) and from the Brenkert 80 in full 'racing stripe regalia' to the various small gauge handcrank jobs to every Simplex from the silent days to the 1950s-vintage XL, 70mm fans will appreciate the beautiful Century JJ threaded up and ready to rock, the walls covered with many reference charts and advertisements, the newest thing there ( as of the time I was last there) was a Christie AW2 platter (boo! hiss!) If this museum is still up it is HIGHLY recommended that you visit it! Lots of cool machinery... Aaron
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Stefan Scholz
Expert Film Handler
Posts: 223
From: Schoenberg, Germany
Registered: Sep 1999
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posted 06-14-2000 03:51 AM
There is a society, which I am a member of, called Moving picture machine society. This is a projector collector's thing. Actually there a quite a lot of private collectors in that field, but most of them collect "sewing" machine type of projectors and maybe cameras with special backgrounds. To collect motion picture equipment, from the interesting period, ca 1922 to 1980's requires lots of space, and valuable space, as it has to be clean and dry. I do not want to be called projector collector, but my recent count unfortunately showed over 40 commercial theatre projectors in 35 and 70 mm. Some rare Bauers (Standard Optical sound projector c. 1927(!)) to known projectors type like Ernemann 5, Simplex XL and Norelco AA's. The property tax thing is something not US exclusive. It applies anywhere. There would have been one way for the Carey Williams guy, to donate the building to the City of Chicago, and then erect a non profit trust. As he paid for the school-building and the collection, this was no feasible way. If you move this or any collection of this kind to a rural area, where tax may be lower, attendancy will be very limited to those folks like us, willing to see a collection. But actually, I know it might sound rude to those from small townships, who of the metropolitan guys wants to spent his/her future life in, e.g., rural Iowa or Texas? All sound on film projector collector's I know have this problen, reasonable space in metro areas... (P.S. I am in love with the Texas landscape.)
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Tim Reed
Better Projection Pays
Posts: 5246
From: Northampton, PA
Registered: Sep 1999
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posted 07-02-2000 08:39 AM
THANKS, BRAD! I will proudly display the Film-Tech logo on my skull!I yield to Gordon on the Dresden... it was admittedly a guess on my part. I'm pretty sure about the Ashcraft, though. RE: Projecting Kinetoscope vs Powers 5.. I debated over that one for a while, and decided it must be the Edison machine, because of the low shutter shaft, and the large ID plate being located at the top (I seem to remember this arrangement, from a P.K. I once had the good fortune to see up close). The shutter shaft on a Powers 5 was almost level with the aperture, and its ID plate was smaller, and under the lens. Thanks again, Brad, it sure was a fun contest! ------------------ Better Projection Pays!
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