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Author
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Topic: OK, If you don't like CAP codes, what would you do?
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Brad Miller
Administrator
Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99
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posted 06-29-2000 06:18 AM
This is a very simple one. I'm surprised the minds at Kodak haven't thought of this one yet. Just manufacture the rolls of film in 100 foot sections! Then join them together, making sure to intentionally misframe the next splice by one perf and send the final "edited" roll to the labs for printing. The intentional misframing would ensure that at least 3 out of 4 splices would show on screen, thus creating one hell of a mark viewable on even a 30th generation video copy!It would be great! Every single print would then have it's own special on-screen code different from all the other prints! Plus, there wouldn't be any of that annoying CAP code marks that resemble dirt on the film!!! Yes, this would be perfect, as there aren't enough lab splices within prints as it is. (Of course I'm kidding. The CAP code is probably the best thing given the circumstances.)
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Randy Stankey
Film God
Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 06-29-2000 08:39 PM
Film is sensitive to wavelengths that the human eye can't see. (UV, IR, etc.) Film can be made to couple certain wavelengths to certain dyes. And, those dyes don't necessarily have to produce any given "color". That's how multi-contrast photographic paper works, you're just filtering different wavelengths that "activate" different layers in the emulsion.Video cameras are sensitive to wavelengths that human's can't see, either. Further, they don't necessarily have to couple with any color that's visible on the TV screen. (IR light looks blue in a video cam. -- Counter-intuitive until you think for a while.) Just supposing here but if you built a layer into the film that was sensitive to only a very narrow band of IR/UV light and coupled that to a dye that filtered a wavelength that TV cameras could register but couldn't display, you could put anything you want on the film. For instance, you could put vertical stripes down the film that resemble bar codes in the supermarket. They could be recorded on video tape but since they are just outside of the CRT's ability to display them, the only way to see them would be to play the tape through some sort of video analyzer. An oscilloscope, for instance. The scope would display a pattern of "pips" like this that correspond to the location of the lines in the "bar code", like this. --------^---^------^----^^---------------- This could be throughout the whole length of a reel (or reels) and there would be no way of removing it or even finding it unless you scientifcally analyzed the film.
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Russ Kress
Expert Film Handler
Posts: 202
From: Charleston, WV, USA
Registered: May 2000
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posted 06-30-2000 02:24 AM
Joe, my ex brother in law used to be an engineer at a TV station. Had I ever wanted to lead a life of crime, I'd have taken my prints there.There's no screen to put IR LEDs behind. When they showed film (yes, I'm that old) they projected directly into a camera. Used a light source and everything! I'll try and get him to register here. He's a computer geek now, but he was once a top notch TV guy. AND! He's older than me so I'll feel better too! Russ
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