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Author
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Topic: Defective Dolby Digital print
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Antonio Marcheselli
Phenomenal Film Handler
Posts: 1260
From: Florence, Italy
Registered: Mar 2000
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posted 08-20-2000 03:54 PM
yes, you're right! I start this topic since on widescreenreview.com I read this: -- The Dolby® Digital 5.1-channel soundtrack is a fine production with remarkable fidelity, and will certainly entertain as an essential component of the film’s warm-hearted storytelling. The soundfield is generally balanced toward the screen, with surround activity predominated by the music. The multidimensional sound effects are spread across the screen and sparingly into the surrounds, resulting in a convincing holosonic experience. The music score, composed by Alan Silvestri, is an excellent recording, with an expansive presence generally oriented from the screen and some surround envelopment. Generally, the surrounds are subtle throughout, but the toy boat race in Chapter 16 is a wonderful exception, providing an aggressive, exciting soundfield experience from the music and the crowd. The dialogue production features very well-recorded voices, delivering remarkable clarity, and spatial integration is good, with just occasional ADR characteristics noticed. Low frequencies are predominated by the music and originate from the front channels, with occasional moderate activity in the .1 LFE. Stuart Little delivers an impressively produced soundtrack experience that will surely satisfy with its exemplary fidelity and engaging music score. -- I'm talking about the italian copy of Stuart Little, not USA. And I'm sure that surrounds were *completely" mute, not low.Antonio
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