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Author
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Topic: Something nice about Technicolor - a 1st??
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Bob Minge
Film Handler
Posts: 43
From: Fergus Falls, MN, USA
Registered: Aug 2000
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posted 08-26-2000 03:16 PM
Most of the posts about Technicolor I can relate to and understand peoples frustrations about them. But to keep both sides of the coin used, I decided to post something nice about them that happened to me this week. On monday, my office said you're getting Autumn in NY. Tue Technicolor called asking when first show was on Friday. I said 1:25 Matinee. She said earliest was 5:30 PM Fri, but would try to get earlier. Thur they called and said now at 4:30 PM Fri. Thur night they called and said Fri at 2PM. I said great, now I only have to miss 1 matinee show. Friday when finishing preping the theater a little truck pulled up at 12:30 with the print from Paris, Texas (Thanks booth from Paris - print in great shape) I was only 4 minutes late in starting it, no bad splices, good sound (for mono) and people liked the movie. Hope this doesn't disappoint to many, but sometimes Technicolor does something better than they said they would. I am not jumping on their bandwagon, but just showing what happened to me.------------------ Bob Minge Manager/Projectionist Westridge Cinema 5 Fergus Falls, MN
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 08-28-2000 08:55 AM
Paul Cunningham said: "Since the Technicolour subject has been brought up (again). If you can get a hold of the March 1995 edition of Kodaks "Film notes for reel people" Look on page 9 for photos of their high speed film inspection room and print inspection station. I dont know how many of these they have or even if they actually use them and not the floor as many people suspect." The article in the March 1995 "Film Notes for Reel People" was about the Extended Length Reel (ELR) project, and showed some views at Technicolor Entertainment Services. AFAIK, the print inspection room and print inspection stations are used only when a distributor requests (and pays for) print rejuvenation services. Prints in normal distribution are usually NOT inspected by rewinding or viewing, since distributors are not paying for the service. AFAIK, the label "Integrity Checked" simply indicates that the contents of the film cases were verified to be sure all reels were present, and is NOT an inspection of print quality.The "bottom line" is that all prints should be carefully inspected by the theatre before showing. ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com
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Charles Everett
Phenomenal Film Handler
Posts: 1470
From: New Jersey
Registered: May 2001
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posted 03-09-2003 11:41 AM
Thanks to us Film-Techers, Technicolor now knows it has to go the extra mile for the theater! Here's a recent example out of New England:
"At 2 o'clock Friday morning (Feb. 28), Triplex Cinema's one-man technical crew showed up at the theater to receive a dark-of-night delivery.
"The hit film 'Chicago' was being dropped off by overnight courier, and Steve Johnson had to set up the projector and hold a one-man viewing to watch for glitches, skips or sound flaws he might have to fix. The movie had to be ready for the 3 p.m. show.
"There was a problem, however. At the West Springfield movie theater, where the film was supposed to be picked up after its last show Thursday night, someone locked the doors on the courier and refused to turn over the movie.
"Johnson got a phone call from Technicolor, the company that moves films around the country every Thursday night for Miramax, the distributor for 'Chicago.'
" 'We can get you another print, but it's 185 miles away,' the Technicolor person told Johnson.
"Somehow, it happened. Johnson was waiting at the Triplex at 6:30 a.m. Friday when the film arrived. He set it up, then headed off for a prearranged trip to Montreal. The preview job was left to general manager John Valente, a former theater stage manager and now a discerning moviemonger.
"Not only was the print in good shape, but the movie was an exciting wild ride of murder, media and music, he said. The 3 p.m. show drew about 30 patrons."
The Triplex Cinema is an upmarket/arthouse venue in Great Barrington MA. This account was the beginning of a story in the Berkshire Eagle (via Cinema Treasures) on the Triplex.
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