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This topic comprises 2 pages: 1 2
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Author
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Topic: ShoWest
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John Gordon
Film Handler
Posts: 62
From: Earth
Registered: Jul 2000
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posted 02-09-2001 03:50 PM
For those visiting ShoWest, I invite you to stop by our booth for a chat and of course to see our products. Be sure to also stop in and see all the other exhibitors as well. And if you get the chance and want to see a huge cinema set-up, go to the convention floor where the screenings are held. It's not the best environment, but have you ever been in a auditorium where 80 QSC amplifiers are powering the room--and yes, this is one screen. And yes, that is eighty (80)amplifiers.For those interested in having a training session to learn the workings of our DCM crossover/booth monitor, DCA amps and DSP-3 modules, come see me at the our booth. Training can be at the booth or arrangements can be made to train off the show floor. And for my final plug, for those visiting ShoWest, if you would like to plan an extra day or two prior to the show, Feb. 26 - Mar. 2, or after the show, Mar. 9th, and want to visit sourthern Calif., you are welcome to come by for a visit and tour of our factory. My only request is to please call ahead. And if you have more time, this would also be a good time to visit the new Disny California Park, which is only 8 miles up the road from QSC, to see the three movie related attractions (see Disney post).
------------------ John Gordon Cinema Applications Engineer QSC Audio Products, Inc. 1675 MacArthur Blvd. Costa Mesa, CA 92626 (714)754-6175 john_gordon@qscaudio.com http://www.qscaudio.com
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Jerry Chase
Phenomenal Film Handler
Posts: 1068
From: Margate, FL, USA
Registered: Nov 2000
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posted 02-09-2001 06:18 PM
Ohferchrisake. 80 amplifiers? What does this have to do with reality on this planet? If one won't work to impress me, will 80?I don't doubt that you have a good product, but this is the type of stuff that has made me stay away from the exhibition floor the past two years. My product is aimed at independents and small circuits. Yours appears to be aimed at the Bronx. How about a simple link to your website that details why you are good?
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Jerry Chase
Phenomenal Film Handler
Posts: 1068
From: Margate, FL, USA
Registered: Nov 2000
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posted 02-10-2001 09:36 AM
"There are various time delays, and zones and lost of level adjustments to be made to insure a smooth sound throughout such a large area."LOL When I first read this, I thought "Time Zones?! It's _that_ big?!" I don't doubt the need for delays, etc., since as a teenager I used to pull wire for my father, who wired a large school gymnasium for a PA system. I had nightmares for weeks about miles long 70vt audio cable and his attempts to reduce echo and delays in a large room that had nothing but hard surfaces. I'm sure everyone knows their stuff, and I'm sure "state of the art" has changed many times over from those days when toolkits included two suitcase sized cases filled with vacuum tubes. Still, to me, there is something macabre about using 80 amplifiers to power a single room. If California ever gets word of this, they'll pressure the crew at Boulder Dam to shut it down.
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Roger Frazee
Film Handler
Posts: 16
From: Knoxville, TN, USA
Registered: Nov 2000
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posted 02-10-2001 01:09 PM
John:I am looking forward to seeing you, Barry, and the rest of the QSC gang at ShoWest. Making the convention hall sound good is, indeed, a challenge. I know you guys are up to it. Roger
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John Gordon
Film Handler
Posts: 62
From: Earth
Registered: Jul 2000
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posted 02-13-2001 04:57 PM
Okay, here is the scoop on the ShoWest product reel screenings. The screenings will be held in the Paris Ballroom. The room is huge. Roughly 380’ x 225’ with ceiling height ranging from 30’ to 34’. This is roughly 85,000 sq. ft. or 2.7 million cubic feet. Installation is by Boston Light & Sound.Speakers: EV Screen: X-Arrays. Surrounds: X-Arrays (bi-amped) and SX-300’s Subs: 16 TL 880’s Amps: QSC DCA series 42 DCA 1622 26 DCA 2422 12 DCA 3422 There will be a total of 7 sound racks: 2 in the booth which will include all processing and EQ, 1 rack on left wall for left surround, 1 rack on right wall for right surround, 3 racks up front for screen and subs, and the final rack will be in the booth or placed near the back wall. Audio distribution will be via QSC RAVE units (Routing Audio Via Ethernet). The RAVE can send 64 channels of uncompressed 20bit, 48kHz digital audio through a single CAT 5 cable—no multi cable runs here. The units will consist of: 8 RAVE 160 (16 analog output channels, ea. unit) 8 RAVE 161 (16 analog input channels, ea. unit) (total system, up to 128 channels of distributed audio) Misc. Ethernet hubs and switches- Fiber optic and Cat. 5 For the numbers game, each sub will have one DCA 2422 bridged for a total of 38,400 watts. The total system is roughly 137,000 watts. This set-up will be similar to last year. During the product reel screening last year of Titan A.E., real pyro was used for effects. But, the sound system beat the pyro in sheer power and impact. Boston Light & Sound will also do the set-up in the Jubilee Theater at Bally’s (Banquet Capacity for 1000) and at Le Theatre De Arts (meeting capacity for 1,200) at Paris. Thanks go to Boston Light & Sound, EV, and QSC.
------------------ John Gordon Cinema Applications Engineer QSC Audio Products, Inc. 1675 MacArthur Blvd. Costa Mesa, CA 92626 (714)957-7100 john_gordon@qscaudio.com http://www.qscaudio.com
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