Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » trouble with Hilux 152's

   
Author Topic: trouble with Hilux 152's
Josh Jones
Redhat

Posts: 1207
From: Plano, TX
Registered: Apr 2000


 - posted 04-09-2001 10:38 PM      Profile for Josh Jones   Author's Homepage   Email Josh Jones   Send New Private Message       Edit/Delete Post 
I was cleaning out one of these devils tonight and ran across a problem. When I tried to reassemble them, I forgot how they went together, depite the diagram I drew.
Also, can you focus these lenses down to about 15 or 20 feet?

thanks to all,

Josh

 |  IP: Logged

Robert Throop
Master Film Handler

Posts: 412
From: Vernon, NY USA
Registered: Jun 99


 - posted 04-11-2001 11:24 AM      Profile for Robert Throop   Email Robert Throop   Send New Private Message       Edit/Delete Post 
Josh,
I might be mistaken but I believe those Hilux anamorphs were ordered from the factory for a specific throw. I seem to remember a distance being scribed on the front lens.

------------------
Bob Throop

 |  IP: Logged

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 04-11-2001 12:45 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Which Hilux do you have they made 3 versions for 35mm
THey had a gigantic one that was variable that was about 6" diameter that coupled to 4" lens
They had the standard Hilux Val that coupled to normal lens
And they had the Hilux264 fix squeeze that was usually pink coloured
THe front element was scribed with the focus range of the lens (usually about +-10 feet)

 |  IP: Logged

Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 04-11-2001 02:46 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Josh, maybe you can send a picture of that lense to Gordon. The lense picture you sent me looks like the standard Hilux.

The ones I had were the gigantic ones. I think I already gave them away, but if not and I find them, I'll give them to you to play with.

The pink one Gordon talks about is the style I scanned a picture of and sent to you.

Grumpy


 |  IP: Logged

Robert Throop
Master Film Handler

Posts: 412
From: Vernon, NY USA
Registered: Jun 99


 - posted 04-11-2001 08:09 PM      Profile for Robert Throop   Email Robert Throop   Send New Private Message       Edit/Delete Post 
The Hilux Val was the giant black job that was variable from 0-3x. We used them in a drive in in Utica leaving them in place for both flat and scope. The 152 was a smaller gray unit that was variable from 1.5-2x.
Get it?

------------------
Bob Throop

 |  IP: Logged

Josh Jones
Redhat

Posts: 1207
From: Plano, TX
Registered: Apr 2000


 - posted 04-12-2001 01:44 AM      Profile for Josh Jones   Author's Homepage   Email Josh Jones   Send New Private Message       Edit/Delete Post 
here's what mine look like

Josh


 |  IP: Logged

Stefan Scholz
Expert Film Handler

Posts: 223
From: Schoenberg, Germany
Registered: Sep 1999


 - posted 04-12-2001 02:41 AM      Profile for Stefan Scholz   Author's Homepage   Email Stefan Scholz   Send New Private Message       Edit/Delete Post 
I remember, some people saying, those are NOLUX devices. The art of how all the light stays within the lens, and nothing comes out of them. I liked the art of making theese large quality prisms, and to a certain extent the "Nolux" with large and thick glass structures is true, but theoriticly prismatic squeeze is superior to cylindrical lens types, at least when theese were manufactured.
I still have the pink types somewhere, and I liked them. The lens in front must be a convex lens with the desired projection distance as focal length, as the prismatic trick works only in indefinite distasnce. They do look like ordinary protective glasses
but are lenses, actually. The focal length is engraved in the front glass. Most of them were specific to the theatres of the 1950's, so a minimum of 60 - 80 ft generally applies.
To get closer, you could actually use 2 lenses infront of the prisms.

 |  IP: Logged

Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 04-12-2001 12:45 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
Josh: We have one of those sitting in the company office as an antique paperweight. Like I had mentioned before they were better suited to auditoria with looooong throws.

Aaron


 |  IP: Logged

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 04-12-2001 01:44 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I used to have a pair of the 264's with correction front elements for 10' from an old screening room

 |  IP: Logged



All times are Central (GMT -6:00)  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.