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Topic: Super Simplex whine
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Steve Guttag
We forgot the crackers Gromit!!!
Posts: 12814
From: Annapolis, MD
Registered: Dec 1999
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posted 07-08-2001 09:39 AM
I'm no Brenkert expert but I have heard one that was dialed in to a "T"...I mean it seemed perfect....It has NO noise when running...nadda, nill, zilch...put film in it...virtually no change..only on a splice did it go "ca-clack". I have NEVER heard a Super or E-7 run that quiet. Whirring noise, I'll agree could very well be the wrong maing drive gear...often a noisy Simplex can be fixed with a proper main drive gear. This presumming the gear meshes in the machine are right. I have various mis-fits inside the machines...Sometimes while in an older booth that has a huge stock pile of parts....I'll be changing a worn out gear that has a bunch of slop and the new gear...fits WAY TOO TIGHT....a grap another new gear...fits like a glove!...couldn't tell you the history of these parts as to why one worked well and the other didn't though both new and having the same part number and same outward appearance. Steve ------------------ "Old projectionists never die, they just changeover!"
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Tom Hutchinson
Film Handler
Posts: 11
From: Edmonton, Alberta, Canada
Registered: May 2001
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posted 07-08-2001 08:12 PM
Don't confuse the projector with the soundhead. The drive gear large fiber or composition) has to match the soundhead; the pinion matches the projector, but Brenkert and Simplex are cut alike (except the Brenkert pinion is shaped just a bit differently).What was meant was that if you were using a drive gear designed for a Simplex soundhead on an RCA soundhead, then it would work, but it would whine. Remember that the Super was designed around 1927, and there were many companies that made parts for it; most fit just fine, but others might be slightly off. Swap some gears around with a scrap projector and see what happens! I think you will find a lot of difference in the way the Super handles splices. Projectors designed after WWII use gentle loops; projectors designed before that use tight loops. Tight loops cause trouble on tape splices (which, of course, didn't exist when the projectors were designed). Tom
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Will Kutler
Phenomenal Film Handler
Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001
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posted 07-09-2001 04:21 PM
JohnListen to Mark Gulbrandsen, Tom Hutchinson and Paul Thompson! The fiber gears for projector to soundhead drive are different between manufacturers (RCA/Simplex). Many will work with each other, but will whine because of differences in gear pitch. You can also check the operation and parts books for the Super and E-7. Download the Super,E-7 and RCA 1040 through 9050 books from Film-Tech. There is a little info about the gears in them. Be careful about how you clean and lube these machines. I have seen some people use grease on the gears, and this is a no-no.
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Paul G. Thompson
The Weenie Man
Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000
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posted 07-09-2001 10:02 PM
Gordon, I respectfully disagree with any grease being used on the Simplex Supers or E-7 gear trains. Those machines ran beautifully for 60 to 70 years with Simplex oil only. I don't understand why anyone would want to change and screw it up. Grease can get in the small oil passages on the shafts and bushings and plug them up. I have rebuilt a few Supers about 25 years ago because idiots were using grease on the gears. Using grease is just simply a lazy man's way out to cut a corner, and the machine will suffer from it. So will the repair bills. Some of the older Supers may have grease cups on the rear shutter bearing. That is the only place grease should be used.
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