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Author
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Topic: FilmGuard Use In The Occasional Use Screening Room
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Gordon Bachlund
Jedi Master Film Handler
Posts: 696
From: Monrovia, CA, USA
Registered: Aug 1999
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posted 07-16-2001 03:01 PM
Greg, I have used FilmGuard regularly for about a year, applying it to new media rolls before mounting them on the cleaner so that I don't waste it. I apply until the color of the media rolls indicate saturation. Then I mount the media rolls, which are moist but not dripping, and run the film. As Brad notes, after a while the FilmGuard will evaporate, so I re-moisten the rolls if they are not too dirty and I plan to re-use them. Now, as to ill effects, there have been none. Moreover, prints that exhibited considerable wear look incredibly better after a few passes through FilmGuard, and prints that came to me smelling of vinegar and testing in the 2 to 3 range using A-D Strips, lose their aroma and test in the 1 to 2 range after several passes. You will be nothing but happy with FilmGuard!
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Bruce McGee
Phenomenal Film Handler
Posts: 1776
From: Asheville, NC USA... Nowhere in Particular.
Registered: Aug 1999
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posted 07-16-2001 07:42 PM
The only time that I have noticed a problem with FG is when I have applied too much on the reel, then upon running it on the Holmes, having to endure all the jumpng and bouncing around of the image in the gate due to the ultra-slick film. Holmes has no tension adjustments on the gate, except 2 springs. After one run with the jitters, the next run is always smooth. I'm still amazed what comes off of the print a few days after the initial application. Wow.
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 07-17-2001 03:36 PM
Don't apply so much that it is visible on the screen as a mottled or streaked appearance. Film dyes are oil soluble, and EXCESS oily materials can actually leach out film dyes, especially on used prints where the emulsion-side protective layer has already been abraded. If dyes are being leached, you will start to see green or yellow spots (especially in dark scenes) or dye migration (colored halos/fringing), and wiping the oily film with a white tissue will show a magenta coloration. Using a media cleaner (e.g., Kelmar, Christie, or 3M web cleaner) seems to be the best method of applying the very small amount required for cleaning and lubrication of release prints. Follow the instructions -- a little goes a long way.------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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