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Author
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Topic: A Bad Situation
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Dustin Mitchell
Phenomenal Film Handler
Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000
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posted 07-30-2001 04:16 PM
The other day I was looking for some listening devices for the hearing impaired (they resemble headphones). Ours were not in the best shape due to heavy use, and I knew we'd gotten a bunch from a closed theatre about a year ago. So as I was searching through boxes, I came across one that had one of the transmitters on top (I know that's probably not the right term, its the thing that 'broadcasts' the signal to the headphones in the auditorium). Figuring that the headphones were probably under that, I picked it up only to have my jaw drop in shock. Sitting in that box were ten xenon bulbs, along with various office supplies. Four of the bulbs were in the protective cases but not their boxes. The other six, and this I can not believe, WERE WRAPED IN NEWSPAPER!! Not even that much newspaper, about 3 layers thin. How these bulbs survived the trip from Appleton to Eau Claire in the back of a 24 foot Ryder van I don't know, but somehow they miracuously did. I of course immediately disposed of all ten bulbs, not knowing how many hours they had on them and not knowing if their rough treatment had damaged them in any way. Looking again, I could clearly see the box they were in was unmarked. Oh the horror if someone had stuck their hand down inside that box rumaging for something and one of those newspaper wrapped bulbs had exploded!Moral of this story, never trust anyone, and don't leave boxes laying around your theatre if you don't know whats in them.
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Evans A Criswell
Phenomenal Film Handler
Posts: 1579
From: Huntsville, AL, USA
Registered: Mar 2000
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posted 07-30-2001 05:15 PM
I think it's very important for any theatre manager to know what's in every area of a theatre. This example shows that a serious safety hazard was present, hidden in a box. If you look at a box and do not know what is in it, then it is time to check it out. It is also important to give your theatre a good searching over occasionally when none of the other staff are around to make sure nothing inappropriate is being stashed anywhere by staff members. I know of one instance where some staff members at one theatre had drug problems and were using drugs in the booth. Protect yourself and do occasional thorough checks of every inch of your theatre. Doing so may save your job or, in the example above, prevent an injury.This advice applies to anyone, anywhere. Know what is in your domain where you work. If there is a box in your office, it is wise to know what is in it. A good example from my workplace: if a computer is sitting under a desk running, you'd better know what it is doing (we had one once where someone had a warez site running, with no keyboard or monitor attached, under the sysadmin's desk, with just a network connection, and the sysadmin didn't know it until the police showed up and confiscated it!). Better safe than sorry! It never hurts to be too careful. If your employees bring anything into the theatre, know exactly what is being brought in and where it is stored. ------------------ Evans A Criswell Huntsville-Decatur Movie Theatre Info Site
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 07-31-2001 07:07 AM
Some links to xenon lamp information on the web: http://osat.grc.nasa.gov/GSM/GSM-26.htm http://web.mit.edu/afs/athena.mit.edu/org/s/safety/apg/06/6-12.html http://www.ltilamps.com/Media/xe_tech_article.pdf http://www.pti-nj.com/obb_lamps.html http://www.cinemaequip.com/tech4.shtml http://navitar.com/av/xenon/xengen.htm http://www.oriel.com/netcat/VolumeIII/pdfs/v39arc.pdf Dustin said: "I of course immediately disposed of all ten bulbs, not knowing how many hours they had on them and not knowing if their rough treatment had damaged them in any way." Probably the safest thing to do, although I suspect any shipping trauma would have caused the lamps to expode at the time of the damage. If the lamps appeared to be in good condition, they were probably usable. I would have installed each lamp in a spare lamphouse and tested it for a few hours and several ignitions. If the lamp ignited reliably, gave steady light output, and showed no other signs of risky operation (blackened envelope, discolored electrodes, vitrified quartz), I would try to estimate the hours from the electrode wear, and use the lamp. ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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Aaron Mehocic
Jedi Master Film Handler
Posts: 804
From: New Castle, PA, USA
Registered: Jun 99
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posted 08-01-2001 10:48 AM
Dustin Said:"Moral of this story, never trust anyone, and don't leave boxes laying around your theatre if you don't know whats in them." Fact is we train our operators to NEVER trust anybody, including his/her co-workers. Case-in-point: Joe Blow works the 11:00-6:00 shift and laces projector #1 but nobody shows all afternoon. I come in to relieve him and start this machine (that he laced) for the 7:00 show. 15 minutes into the movie I got one helleva brain wrap because he forgot to turn on the feed-out switch on the platter motor. Who is at fault? I AM AT FAULT BEACAUSE I TRUSTED THE PREVIOUS PROJECTIONIST! Moving on to bulb explosions, I had one blow while I was changing it. It was an ORC that for some odd reason wouldn't slide out of the connection to a Strong lamphouse. I practicaly had the allen screw that holds the bulb in place totally off, so it wasn't that. Like a fool I didn't have on the proper safty equipment, but luckily I wasn't hurt. Believe me when I say I where everything associated with bulb safty now. For the complete story, go to the post "Use Your Safety Gear" in the Film Handler's forum, then click "page 2", scrowl down until you see my name.
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