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Author
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Topic: Second Reel Of THE OTHERS jumpy???
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John Pytlak
Film God
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Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 08-29-2001 09:20 AM
I agree with Wes that if you pull the aperture plate such that you can see the actual print film perforations projected on the screen, and they are steady, the unsteadiness is printed in. If excessive, request a new print. Likewise, excessive white dirt will usually be accepted as a reason to request a new reel.Dirt particles (black dirt) on a feature or trailer could have been picked up anytime after the print was processed. With ads and trailers, the "breakdown" into small rolls is often subcontracted. Poor packaging (trailers just stuffed into a shipping case) adds to the problem. A few pennies spent for proper packaging would go a long way in keeping the film clean and undamaged during shipping.  ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 09-04-2001 07:06 AM
Tim Sherman said: "One that i remeber being really jumpy was on the second reel of shrek. All the other reels were fine. Just the second reel. Are they now just printing copies so fast that the quality suffers?"Matthew Cunningham said: "One of the theaters I service had this same problem with the second reel only. They contacted the distributor and replaced the reel. How would this happen in several prints, 2nd reel and none others, with many different prints?" High speed release printing is NOT necessarily the cause of unsteadiness. As noted before, sometimes the unsteadiness is introduced by the use of continuous contact printing for the intermediate stages, where a short pitch camera negative is printed onto a short pitch master positive which is then contact printed to make the short pitch duplicate negatives. (For optimum steadiness, a short pitch original should be printed onto long pitch raw stock --- contact printing short pitch originals to short pitch raw stock may result in slippage and unsteadiness). Since many prints of reel 2 were evidently unsteady, I suspect the unsteadiness was introduced prior to the duplicate negative. Here are recommendations on the use of proper pitch from the Kodak website: Optimum Pitch for Printing Motion Picture Printing ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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