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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » how much do you get paid?? (Page 1)

 
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Author Topic: how much do you get paid??
Jon Todd
Film Handler

Posts: 12
From: Kelowna, BC, Canada
Registered: Jan 2002


 - posted 01-29-2002 12:35 AM      Profile for Jon Todd   Email Jon Todd   Send New Private Message       Edit/Delete Post 
i get paid $8/hr, canadian funds. thats minimum wage here. no benefits, except free movies.

im guessing some of you get more. so if you dont mind me asking, how much do you get paid and what kind of benefits do you get? are you a union member?

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Tim Turner
Film Handler

Posts: 87
From: Chula Vista, CA, USA
Registered: Jan 2002


 - posted 01-29-2002 01:14 AM      Profile for Tim Turner   Email Tim Turner   Send New Private Message       Edit/Delete Post 


[ 06-28-2003, 11:06 PM: Message edited by: Tim Turner ]

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 01-29-2002 01:29 AM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
...NOT ENOUGH.

-Aaron

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Josh Mitoska
Film Handler

Posts: 59
From: Brooklyn, MI, USA
Registered: Dec 2001


 - posted 01-29-2002 01:42 AM      Profile for Josh Mitoska   Email Josh Mitoska   Send New Private Message       Edit/Delete Post 
I used to be a asst Mgr for Kerasotes a few years ago and got $425 a week plus a % of the concession when we were doing well. Now I own 2 small theatres, and I think I make like $2.00 a hour since I work everyday and get hardly anything.

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Brian D. Whitish
Expert Film Handler

Posts: 103
From: Seattle, WA, USA
Registered: Apr 2001


 - posted 01-29-2002 01:54 AM      Profile for Brian D. Whitish   Email Brian D. Whitish   Send New Private Message       Edit/Delete Post 
I suppose Ive been silent long enough. Ive been registered but never posted. I really enjoy this site and Ive gotten a lot out of it. Im the Business Representative for IATSE Local 15 in Seattle. Currently the operators we have working under contract get betwenn $12.50 and $18.00 per hour. We have lost alot of jobs over the past 10 years since I joined. Regal is the biggest nonunion chain in town. I dont know what they pay their operators. We have maintenance jobs with Cineplex Odeon and operators with Landmark/Seven Gables and Genral Cinemas.

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 01-29-2002 03:12 AM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
I'm with Aaron!!

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Darren Crimmins
Expert Film Handler

Posts: 130
From: Dallas, TX, USA
Registered: Jan 2002


 - posted 01-29-2002 03:29 AM      Profile for Darren Crimmins   Email Darren Crimmins   Send New Private Message       Edit/Delete Post 
Nobody in the projection business really get paid enough for what they do. I make $8 and hour as the lead projectionist of a 16 screen theater. Have made as much as $11.50 an hour as a booth manager, but was not enough to deal with management and other corporate B.S.

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Jonathan Worthing
Master Film Handler

Posts: 384
From: Hereford, UK
Registered: Apr 2001


 - posted 01-29-2002 04:10 AM      Profile for Jonathan Worthing   Email Jonathan Worthing   Send New Private Message       Edit/Delete Post 
When we see a man driving a expensive car, we say that we are not paid enough.

Then you see a man struggling to feed his family in some third world hell hole I think we should think again.

We are all too obsessed with money in this world

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Ray Derrick
Master Film Handler

Posts: 310
From: Sydney, Australia
Registered: Sep 2001


 - posted 01-29-2002 05:44 AM      Profile for Ray Derrick   Email Ray Derrick   Send New Private Message       Edit/Delete Post 
Do you guys actually get paid for the work you do? Wow, where can I get a job like that??

------------------
Ray Derrick
President/Chief Engineer
Panalogic Corporation Sydney, Australia
Phone: 61 (0)2 9894 6655 Fax: 61 (0)2 9894 6935

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 01-29-2002 07:15 AM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
Very good point, and well put Jonathan.


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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 01-29-2002 11:26 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I'm an owner, all I get is "equity."

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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 01-29-2002 11:40 AM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
When I worked for GCC, I ran a 7 plex, but we got 8 plex rate
($15.75). Back with the Northridge earthquake, we lost 3 screens
of the plex (At the time it was a 5 plex) GCC paid us 6 plex rate
for the year till other screens were rebuilt. We also got B/Up and
T/D + $1.00 for each trailer. When I worked for Mann Theatre's, I
ran two theatres, a 6 & 3 screen theatre for $17.50. But had to
fix everything at each location. (seats,lights,snack bar,popcorn poppers,ticket machines and oh yes the booth) One summer I worked
a vacation at Pacific's Cinerama Dome the rate was $10.50. About
month later I worked another vacation at Pacific's Vine theatre at
the $10.50 rate also. The funny thing about this is the Dome is
1st run and the Vine was a dive 2nd run house. Doing film
festivals like AFM and AFI, you got festival rates. (AFM was $20.00
hr with B/Up at 20.00 and T/D at 10.00). (AFI was $26.00hr).
Doing the Bel-Air runs, you would make $200.00-$250.00 a show.
I worked the Bel-Air runs for 10 years. Now I handle post-
production projection.



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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 01-29-2002 12:22 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
I pretty much agree with Johnathin's statement. I think we all take way too much for granted these days.
Mark @ GTS

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 01-29-2002 12:45 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
When I was working my way through college (1967-1970), I worked at several small town theatres, progressing from $2.00 per hour to about $3.00 per hour as I gained experience (a bit above minimum wage at the time). I also filled in at a union theatre in the city (helping out the IATSE Business Agent when he didn't have people to fill some holiday/vacation shifts), at much better pay.

Yet I found the most important factor in enjoying my work was the management at the theatre. I really enjoyed working at the theatres where I was given responsibility, but left on my own to do a good job. Working at one theatre was an ordeal because I was always second-guessed on my decisions, and the manager would nit-pick over things as trivial as the length of carbon stubs in the can --- he would rather have the lamp go out than "waste" an extra inch of carbon.
Money and job satisfaction are not the same thing. (Although money helps ).

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Ian Price
Phenomenal Film Handler

Posts: 1714
From: Denver, CO
Registered: Jun 99


 - posted 01-29-2002 12:48 PM      Profile for Ian Price   Email Ian Price   Send New Private Message       Edit/Delete Post 
When I first started in this industry 17 years ago, I made $4 per hour and $7,000 per year.

Not once in the motion picture exhibition industry as an assistant manager, manager, head projectionist, and audio video designer/installer, have I ever made as much as a teacher.

Now I own a theatre and after two years and a large profit, we still don't make as much as a starting teacher in Sonoma County; but we will.

In spite of all that, my lifestyle hasn't changed much; although it takes quite a bit more money than it used to. Every time I have made significantly more money, forces have conspired to separate me from it. This year I got a large bonus and took my car in for service. What I thought might cost $200 ended up costing me $1,600 and I'm am not done yet.

I used to think, "If only my salary would double." But even then it wouldn't be enough for this county. This is where they are thinking of giving housing assistants to Firemen and Policemen because the poor dears are struggling to make ends meet at $70,000 - $85,000 per year.

Live frugally, cherish what you have and laugh your ass off at the fools and assholes who spend $50,000 to $100,000 on automobiles that can go 155 miles per hour and 0-60 in 4 seconds in a land where going half that speed will get you a ticket and the old person in front of you will not get out of your way in spite of the fact that they are driving something with a V8 that could smoke your car if they ever decided to press the accelerator. (That, my friends, is a run-on sentence.)

Oh, and try to stay out of debt. Nothing drives you insane faster than worrying about how to get out of debt.

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