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Author Topic: Scope Regal Coke policy trailer printing
Evans A Criswell
Phenomenal Film Handler

Posts: 1579
From: Huntsville, AL, USA
Registered: Mar 2000


 - posted 02-12-2002 09:47 AM      Profile for Evans A Criswell   Author's Homepage   Email Evans A Criswell   Send New Private Message       Edit/Delete Post 
This past Friday night, when I saw "Rollerball" at Regal Hollywood 18 here in Huntsville, AL, in auditorium 2, everything seemed in frame, with everything centered properly, but I noticed that the Regal policy trailer had 6 inches to a foot of black all around it on the left, bottom, and right sides on the screen. It's as if the trailer were printed with a rather large "black margin" around it in the scope version. I've never noticed this on any other earlier versions of the "roller coaster" trailer before. Since no black area (or anything inappropriate) could be seen at the edges of any other image projected during the previews or movie, the problem seems to be with the policy trailer. Has anyone else here who works at a Regal theatre noticed this on your new Coke policy trailers?


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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-12-2002 10:11 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Could it be that the trailer was produced in a 1.85:1 aspect ratio, and the "scope" version is just printed with a matte around it?

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 585-477-5325 Cell: 716-781-4036 Fax: 585-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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Evans A Criswell
Phenomenal Film Handler

Posts: 1579
From: Huntsville, AL, USA
Registered: Mar 2000


 - posted 02-12-2002 10:20 AM      Profile for Evans A Criswell   Author's Homepage   Email Evans A Criswell   Send New Private Message       Edit/Delete Post 
quote:
Could it be that the trailer was produced in a 1.85:1 aspect ratio, and the "scope" version is just printed with a matte around it?

I don't think so. If that were the case, there would have been much more black on the left and right sides (at least 3 or 4 feet on each side). We're talking 6 inches to a foot on each side (and on the bottom) on a 39.5 foot screen. It's as if it just didn't get enlarged quite enough when printed.

The other possibility is that the aperture was too large, but I doubt that since everything else looked fine, with no "image edges" visible anywhere.


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Evans A Criswell
Huntsville-Decatur Movie Theatre Information Site


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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 02-12-2002 10:28 AM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
In the new Coke roller-coaster trailer, the sound seems to be completely lacking in "punch". It has a very clean and wide-range digital sound to it, but there is no oomph behind those popping popcorn kernals like there used to be (especially the final BIG kernal). I don't think I've seen it played in scope though -- always flat.

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- dave
Look at this! His chin strap has been cut!

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Mike Williams
Master Film Handler

Posts: 255
From: Knoxville, TN
Registered: Feb 2002


 - posted 02-12-2002 02:53 PM      Profile for Mike Williams   Email Mike Williams   Send New Private Message       Edit/Delete Post 
I bet the sound is mixed that way on purpose. That way, after the digital sound track starts degrading it will not be as obvious when the sound system starts popping in and out of digital. ;-)

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Josh Kirkhart
Expert Film Handler

Posts: 165
From: Austin/Houston, TX, USA
Registered: Nov 2001


 - posted 02-12-2002 10:13 PM      Profile for Josh Kirkhart   Email Josh Kirkhart   Send New Private Message       Edit/Delete Post 
The printing on the new policy trailers at regal are indeed shotty to say the least. The flats are fine, its the scope that has the problem as others have stated. Its is a matted frame but is very different than a scope trailer of a flat film(like that of spiderman on LOTR.
Its very wierd becase previous print runs on this have looked and sounded fine. It seems to me they screwed up in the framing of the image when compositing and compensated by the sharp matting on all four sides of the frame, thinking we see so many other formats mixed in with presentations that we would not notice.

In any case they were done fast and loose, but thats the way big business is done.

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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 03-02-2002 08:30 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Finally saw the scope version of the Regal policy today, in front of "We Were Soldiers". The image is indeed printed inside a black border on all 4 sides. The side borders were nowhere near as wide as they would be if the source was simply the flat version printed for scope. Kind of a combination of window-boxing and letterboxing.

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- dave
Look at this! His chin strap has been cut!

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 03-02-2002 08:49 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
The UA "Odyssey" scope trailer is like that too, and it drove me nuts back when we were playing those. Josh pegged it right on the head though. They animated the trailer, then saw it projected in a theater that had excess cropping and panicked, thinking that if they black out the "safe area", none of that awesome computer animation would be lost.

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