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Author Topic: carbon rods
Denis Elwood
Film Handler

Posts: 2
From: Kincumber, New South Wales, Australia
Registered: Nov 2001


 - posted 02-17-2002 05:02 AM      Profile for Denis Elwood   Email Denis Elwood   Send New Private Message       Edit/Delete Post 
I am looking at the possibility of restoring two 35mm projectors of Australian manufacture, still in the bio box ("booth" in US parlance!).
Two questions:
1. How easy are carbon rods to obtain (especially in OZ)?
2. These projectors have never had rod feed motors fitted. Is this unusual, and wouldn't they be a pain in the bum to operate as such?

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John Anastasio
Master Film Handler

Posts: 325
From: Trenton, NJ, USA
Registered: Sep 2000


 - posted 02-17-2002 07:38 AM      Profile for John Anastasio   Author's Homepage   Email John Anastasio   Send New Private Message       Edit/Delete Post 
How old are these machines and who made the lamphouses? There were lots of them made in the early days without automatic feeds.

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Stan Gunn
Expert Film Handler

Posts: 176
From: Clematis, in the hills near Melbourne Australia
Registered: Aug 2000


 - posted 02-17-2002 10:47 PM      Profile for Stan Gunn   Author's Homepage   Email Stan Gunn   Send New Private Message       Edit/Delete Post 
Dennis

we have no problem with getting rods here.
The lamps are most likely AC arcs it is possable to use dc rods on the AC supply.
They burnt much slower than DC does.
Email me your phone number for further discussion on your wonderful find.

------------------
KALEE FOREVER. CARBON ARC,THE LIGHT OF THE STARS!
ALL PARTS FOR VICTOR AND KALART VICTOR 16MM PROJECTORS.SERVICE TO 35 AND 16MM PROJECTION EQUIPMENT.
35MM sprockets made to order.


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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 02-18-2002 11:29 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Stan,

AC power supply powering the arc for film projection? How can that be? James Bond may have had Pussy Galore, but AC arcs would produce Flicker Galore. No way it could be an AC power supply, unless I am missing something here.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 02-18-2002 01:21 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Frank, Before the high intensity days almost all arcs were AC powered. Since they were still focusing a incandescent gas spot on the aperature it didn't matter and there was no flicker. There were too many limitations with AC though and it cannot do high intensity. Ashcan used to make a special High Intensity Arc Lamp though and it came with a special generator that shot the frequency way up and out of flicker perception.
Mark @ Old GTS

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 02-18-2002 04:22 PM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
Ashcraft Cybel with the special 96HZ generator....I saw a few in storage in Mexico with some Simplex SP Export projectors.
Richard Fowler
TVP-Theatre & Video Products Inc. www.tvpmiami.com

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Gordon Bachlund
Jedi Master Film Handler

Posts: 696
From: Monrovia, CA, USA
Registered: Aug 1999


 - posted 02-18-2002 06:19 PM      Profile for Gordon Bachlund   Author's Homepage   Email Gordon Bachlund   Send New Private Message       Edit/Delete Post 
Mark:

AC arc lamps were in the minority as they required an m-g set to change the frequency as Richard noted. Richardson wrote about these, rather condescendingly as I recall.

Many elderly follow spots were AC, but nearly all projection lamphouses were DC, from the earliest low intensity lamps with their massive condenser lenses, to the reflector type low intensity lamps of the 1920s, to the later high intensity lamps with which I became familiar in the 1950s.

An interesting anomaly of AC arcs was the sound they made. DC arcs were quiet and even-burning.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 02-18-2002 09:01 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Gordon, I thought all the realy old Powers and Simplex lamphouses were all AC arc???

Richard, You're right on the frequency, just looked it up in the Blue Book. An interestng system, but why would the Ashcan clan design something like this?
Mark @ GTS

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Stan Gunn
Expert Film Handler

Posts: 176
From: Clematis, in the hills near Melbourne Australia
Registered: Aug 2000


 - posted 02-18-2002 11:36 PM      Profile for Stan Gunn   Author's Homepage   Email Stan Gunn   Send New Private Message       Edit/Delete Post 
We in OZ had hundreds of small town cinemas set up in small halls useing AC arcs, there was also a power supply made for just that job.It just pluged into a standard power outlet (we have 240V 50 HZ as our standard supply).

There were many C&W portable plants made with AC arcs running at 40 to 50 amps, being a portable supply they were of course called TRANSARCS some cinemas had a TRANSARC under the lamp as an emergancy supply, in case the main DC supply failed, some lamps would run on AC or DC.
There are still some being used on DC lamps,haveing had 4 diodes and a bit of C added, they make a good supply, the larger units able to run at 60 to 80 amps, they also made a good small arc welder.

When running AC 50HZ arcs the projector speed was critical, but running at 25FPS was very common,no strobing and you got to go home a little earlier.


------------------
KALEE FOREVER. CARBON ARC, THE ONLY LIGHT FOR THE STARS!
ALL PARTS FOR VICTOR AND KALART VICTOR 16MM PROJECTORS.SERVICE TO 35 AND 16MM PROJECTION EQUIPMENT.
35MM sprockets made to order.


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Eli Blasingame
Film Handler

Posts: 18
From: Loleta, CA, USA
Registered: Nov 2001


 - posted 02-19-2002 12:13 AM      Profile for Eli Blasingame   Email Eli Blasingame   Send New Private Message       Edit/Delete Post 
Carbon arc, thats a fun time there. up to two years ago we were running 1937'S Peerless light house with a simplex head. i miss running those shows. we still have them and I do play with them when I have the time, keep them oiled. they will run forever.

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Gordon Bachlund
Jedi Master Film Handler

Posts: 696
From: Monrovia, CA, USA
Registered: Aug 1999


 - posted 02-19-2002 08:45 AM      Profile for Gordon Bachlund   Author's Homepage   Email Gordon Bachlund   Send New Private Message       Edit/Delete Post 
Mark, if a lamphouse uses carbons of the same diameter that burn at the same speed, the lamp is set up for AC operation. If a lamphouse uses a positive carbon that is of larger diameter, and often longer than the smaller diameter negative carbon (which burns slower), the lamp is set up for DC operation.

The early Powers and Simplex projectors that I ran into in my youth, which were by then curious antiques, for the most part utilized DC lamphouses, most often fed from motor-generators.

The 96-cycle AC lamps were, for all intents and purposes, a hiccup in the evolution of projector light sources.

When I took my Los Angeles City projectionists license test in the early 1950s, the test consisted of two parts, a written exam and a hands-on skills evaluation, the latter being administered in the elderly nitrate booth of a City Hall auditorium. The lamphouses were so wired that either could, at the examiner's will, be fed DC or AC, and a part of the test was to determine which source was in use, it being understood that these were DC lamps and should not be burned on AC. The lamp on AC sputtered noisily and, of course, produced a strobe effect on the screen, while the lamp on DC burned quietly and produced a steady light. Thanks to having "devoured" Richardson and Cameron in my youth, I had no trouble distinguishing between DC and AC operation, and passed the test the first time around.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 02-19-2002 09:29 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The Ashcraft cyclex was also popular on ships as well
The AC carbons contained different core materials as well that produced a different flame and crater. A short version is still available for the Strong Trouper

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Stephen Jones
Master Film Handler

Posts: 314
From: Geelong Victoria Australia
Registered: Jun 99


 - posted 02-21-2002 10:37 PM      Profile for Stephen Jones   Email Stephen Jones   Send New Private Message       Edit/Delete Post 
I remember useing the Transarc with the old H&B slide projector's (remember those Stan) at a number of theatres I worked at in Tasmania some years ago,never had any flicker problem with them.At one Drive-In I worked at used a H&B slide projector running 120 amps D.C wonder the thing never melted.We used to have a fan mounted on the front to keep the glass slides cool.

Steve

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 02-21-2002 11:14 PM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
The Cybel used 96HZ to give two pulses per opening of a two bladed shutter or a total of four pulses per film frame to minimize flicker....this of course if the projector and motor did not drift too much I converted a few of them to xenon for a customer many years ago.........
Richard Fowler
TVP-Theatre & Video Products Inc. www.tvpmiami.com

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Stan Gunn
Expert Film Handler

Posts: 176
From: Clematis, in the hills near Melbourne Australia
Registered: Aug 2000


 - posted 02-23-2002 05:38 AM      Profile for Stan Gunn   Author's Homepage   Email Stan Gunn   Send New Private Message       Edit/Delete Post 
Richard.

I have never seen a 96 HZ convertor in OZ,all the AC installations that I have seen have used the TRANSARCS.
They used the standard 240V 50HZ single phase supply.

------------------
KALEE FOREVER. CARBON ARC, THE ONLY LIGHT FOR THE STARS!
ALL PARTS FOR VICTOR AND KALART VICTOR 16MM PROJECTORS.SERVICE TO 35 AND 16MM PROJECTION EQUIPMENT.
35MM sprockets made to order.

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