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This topic comprises 2 pages: 1 2
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Author
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Topic: CP55 non sync level
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Josh Jones
Redhat
Posts: 1207
From: Plano, TX
Registered: Apr 2000
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posted 05-29-2002 09:58 PM
Actually you do not need a diddle stick, or tweek stick as it is better known, just use a small screwdriver. Monitor the surround channel and adjust the two pots to a comfortable level. Then match the two so that there is as little dialog in the surrounds as possible, or until the center channel indicator on the matrix decoder is the brightest and the left and right look balanced, i.e., one isnt lit brighter than the other, ect.Hope that helps Josh
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Paul G. Thompson
The Weenie Man
Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000
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posted 05-30-2002 12:18 AM
Cat 242 card. Near the top. Check the inside of the door panel - it'll show you exactly where they are. When you make this adjustment, make sure your master fader is at the nominal running position for your theatre.It has been a long time, but it seems to me that if you have a full-blown CP-55 that will handle the digital formats and an external SRA-5 adapter is used, the non-sync pots are in the SRA-5 external adapter, but I am not certain about that. I just chatted with John Westlund, and he indicated the non-sync adjustments are behind the external SRA-5 adapter door if you are using that set-up. Thanks, John. My memory is refreshed.
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Manny Knowles
"What are these things and WHY are they BLUE???"
Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002
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posted 05-30-2002 10:04 AM
Just in case there's anybody else who's interested in having uniform levels in all cinemas...Non-Sync was a pet peeve of mine at AMC; different levels in every auditorium. Also, some had the music coming out of the surrounds whereas others had music emanating mainly from the screen. What can I say? I'm a sucker for uniformity! Very recently, I experimented with one auditorium here until I got just the level I wanted and then I ran a 1kHz tone through the CD player to make sure I had balanced left/right: watch the lights on the NR card, and then double-check that the Centre channel has the strongest signal (lights on the front panel of a CP-45). With the tone still playing, I went around to all of the other processors and set the Non-Sync input to the same LED pattern so that they'd all play at the same level. (It's a lot like setting Dolby tone.) I'm using CP-45's but I think the Non-Sync is very similar on the 55's. The CD was a freebie from TDK. ------------------ ~Manny. Some people can read "War and Peace" and come away thinking it's a simple adventure story while I, on the other hand, can read the ingredients on a chewing gum wrapper and unlock the secrets of the universe. Lex Luthor, "Superman: The Movie"
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Kenneth Wuepper
Phenomenal Film Handler
Posts: 1026
From: Saginaw, MI, USA
Registered: Feb 2002
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posted 05-31-2002 07:26 PM
RE: Diddle Stick vs. Tweak Tool The Diddle Stick is a tool used by an earnest experimenter to induce unknown changes in unfamiliar equipment. The Tweak Tool is used by an expert in the adjustment of the equipment and with experience, beyond the service manual, for making optimal settings. Webster, rest in peace~ IF YOU DON'T KNOW WHAT IT DOES ... DON'T TURN IT!
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