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This topic comprises 2 pages: 1 2
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Author
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Topic: "Film Done Wrong" becomes high cinema art.
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Gerard S. Cohen
Jedi Master Film Handler
Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001
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posted 12-04-2002 08:31 PM
The decay of the medium becomes the message in a new film of cinematic entropy "made of deteriorating film", projected in New York City. Here's two paragraphs from the review by Sarah Boxer in the New York Times of Dec. 3rd entitled "Where A Film's Gooey Bits Are The Real Showstoppers":
"Decasia," set to a clangorous, tuneless, relentless symphony by Michael Gordon, opens with the image of a whirling dervish. But that's not the focus. The movie also shows waves crashing on a rocky coastline, an old aqueduct, a shoji screen, a mining accident, a drowning man, a rug factory, a spinning wheel, a Ferris wheel, an athlete, a politician, a farmer, a cowboy, a birth by C-section, a baptism, a massage, an old man's angry face and some parachutists. But they are not the focus either. The scene stealers are the spots of decay attacking those documentary images. As Mr. Morris observed at the screening, "Decasia,"is a cross between a Robert Flaherty documentary and a Stan Brakhage film. "Nanook of the North" meets "Hell Itself."
The species of decay in the movie are many and varied: splotches, bubbles, honeycombs, snowflakes, gooey bits, wiggly chromosomal shapes, jazzy spots, jumpy spots, steady spots, Wonder Bread spots, black streaks and blinding white flashes that could trigger an epileptic fit. The types of decay have so much character, so much life, that at a certain point you begin to feel that the decay itself has intention, targeting certain images for ruin. 'I saw the film as a wrestling match between decay and recognizable images,' Mr. Morrison, the filmmaker, said. The decay won." [Lots more at http://www.nytimes.com/2002/12/03/movies/03DECA.html ]
After all our hard work trying to avoid imperfections, an avante garde focuses not on the permanence of film , but on its decay. Reminds me of the time in an outdoor screening in a Queens park one summer 60's night, where the beautiful, gleaming, streamlined Norelco projector suddenly froze, stopping the show. As the image of the melting, scorching film appeared onscreen, an elderly couple near me smiled with nostalgia, and told me it reminded them of their courting days at the movies.
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