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Author Topic: 70 mm Magnetic sound
Ivar Corceiro
Film Handler

Posts: 11
From: Portugal, Europe
Registered: Feb 2003


 - posted 02-12-2003 09:11 AM      Profile for Ivar Corceiro   Email Ivar Corceiro   Send New Private Message       Edit/Delete Post 
I work with a 8/70 cinema Strong projector with a DTS sound system without time code. I can only sincronyze the sound with a bad automation system made by Iwerks, wich means if i have a problem during the session I must restart everything again. I want to buy a time code reader but, while I know this time code reader fails several times, I also need a backup sound (magnetic for example).
Our distribuiton company tell us they can´t get us a 70mm movie with magnetic soud. What can I do and where can I make a copy with both systems (DTS and Magnetic)? [Confused]

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-12-2003 09:28 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Are your 8-perf 70mm prints supplied with a printed-in timecode? (DTS or otherwise?). If not, a time code reader will not be of help. Any double system sound without time code can still have a sync problem if you don't lock frame-for-frame.

You might also post the question on:

http://www.1570.com

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Ivar Corceiro
Film Handler

Posts: 11
From: Portugal, Europe
Registered: Feb 2003


 - posted 02-12-2003 09:37 AM      Profile for Ivar Corceiro   Email Ivar Corceiro   Send New Private Message       Edit/Delete Post 
Yes, Our prints are supplied with a printed-in timecode, but someone told me this printed-in timecode is only a optical copy of 15/70 print, and that will not work in a 8/70 print. Do you know something about this?
Thank you very much...

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-12-2003 09:41 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
I don't know the timecode system being used on your prints, but timecode like DTS is usually printed from a dedicated sound negative, and would be the proper format for your 8-70 print. If it is indeed DTS, I'm sure Karen Hultgren of DTS can answer your questions.

http://www.dtsonline.com

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Darryl Spicer
Film God

Posts: 3250
From: Lexington, KY, USA
Registered: Dec 2000


 - posted 02-12-2003 09:51 AM      Profile for Darryl Spicer     Send New Private Message       Edit/Delete Post 
quote:
Yes, Our prints are supplied with a printed-in timecode, but someone told me this printed-in timecode is only a optical copy of 15/70 print, and that will not work in a 8/70 print.
wait a tick, didn't I read somewhere on here that there is no actual timecode on a 15/70 print but some type of system that keeps the unit in sync with the sound. Gordon would know this.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-12-2003 09:55 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Here's a list of special venue films that used DTS:

http://www.dtsonline.com/cinema/svfilms.html

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 02-12-2003 10:55 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
1570 doesn't usually have printed in time code so any time code should be valid
In most cases a shaftencoder on the projector (generating biphase) drives a time code generator that is controled by the automation to sync to the DTS player
As a backup purchase a 6 track magnetic film dubber that can handle the large reels and it will connect to the shaftencoder (a distribution amp for that is required) and it will chase the shaftencoder directly maintaining sync even if the projector stops

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Christian Appelt
Jedi Master Film Handler

Posts: 505
From: Frankfurt, Germany
Registered: Dec 2001


 - posted 02-12-2003 11:11 AM      Profile for Christian Appelt   Email Christian Appelt   Send New Private Message       Edit/Delete Post 
As Gordon said, you need an impulse from the projector.
You could use a special CD player by MARANTZ/GEBUHR that will sync easily to any frame rate of your projector, look here:

http://jl-site.com/Super8/CDplayer.html

I know that device has been used for silent film presentations (with lower than 24 fps rate) to deliver the orchestra music. But what I do not know is whether you can get more than 2-channel stereo or 2/4 matrix surround.

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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 02-12-2003 11:49 AM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
Ivar,

"Copy of 15/70?" No, we never print timecode on that.

Is this a special venue location? What is the name of your show?

If you are special venue using an IWERKS system, you should comtact them if you are having problems.

A timecode reader will not do you any good on a print without timecode. I suspect that you are using an E175 that uses the TACH to start sending DTS timecode to the player.

If your print does have timecode, I highly doubt the reader has a problem. The timecode on 70mm is huge and the reader can always read it as long as the timecode is not badly damaged. Are you checking your reader's voltage?

We've released many 70mm features, some to "regular" theaters run by untrained people. We've had very few problems and most were due to the timecode being scratched off or the print's weight (such as on TITANIC) unbalancing the platters.

As mentioned, you will need to contact IWERKS and they can help you. If IWERKS gets stumped, they will contact us.

Karen at DTS
khultgren@dftsonline.com

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Ivar Corceiro
Film Handler

Posts: 11
From: Portugal, Europe
Registered: Feb 2003


 - posted 02-12-2003 04:39 PM      Profile for Ivar Corceiro   Email Ivar Corceiro   Send New Private Message       Edit/Delete Post 
In first place thanks to all for the answers.
In fact that was an Iwerks technician who told me this timecode coudn´t be used in 8/70. I don't wanna call another Iwerks technician again, cause I´ve not a good impression about them. They´ve sold us a non-official DTS disc reader (as you can see in the image), and we are not using any sync system. We only tell to a computer to star the sound at frame number X.
One year ago we have bought a real DTS 6d to our 35 mm projector, and now i real would like to use it also in 8/70.
I work in a non-profit cinema with single theater but with two projectors (8/70 and 4/35), both Strong. Anyway, before that, I´ve worked to an americam company (AMC) in Oporto (Portugal).
This is a draw with Amazonia (the movie we are playing this year). I made it right now in Photosho just to try to show you how is our time code signal.
Thanks aain for all

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Ivar Corceiro
Film Handler

Posts: 11
From: Portugal, Europe
Registered: Feb 2003


 - posted 02-12-2003 04:46 PM      Profile for Ivar Corceiro   Email Ivar Corceiro   Send New Private Message       Edit/Delete Post 
Sorry: Here are the images of last message...
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Dave Macaulay
Film God

Posts: 2321
From: Toronto, Canada
Registered: Apr 2001


 - posted 02-12-2003 08:48 PM      Profile for Dave Macaulay   Email Dave Macaulay   Send New Private Message       Edit/Delete Post 
Are you sure the disks are actually DTS disks? There have been a few other (incompatible) systems that used CD sound - Imax certainly had/has one, maybe Iwerks has as well.
If they are real DTS format disks then you can potentially run from a shaft encoder signal. Extra stuff in the 6D might be needed (?) and you must switch the 6D over manually between encoder and reader. I'm not even sure the encoder can drive a "normal" DTS film disc or just a special disk. We have an installation in Toronto that syncs via a shaft encoder but only uses the DTS system for one film running in 48fps vistavision. I understand it will sync to the standard 35 machine (which has the normal DTS reader) but I've never switched it over personally.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 02-12-2003 09:37 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
That player is the 8 channel special venue system called the 8P
get your engineer to mount a shaft encoder on the projector (If it is a Ballantyne chassis the upper feed sprocket shaft exends back enough in the back side to mount a timing belt pulley on it) and set it for 10 pulses per frame 960Hz and get a JSK timecode box and lock it to the player

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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 02-13-2003 11:50 AM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
Ivar,

What you have is a DTS P8. This unit will read the TACH and play DTS discs. If you are unhappy with the P8, get a DTS-6D and 70mm reader(s) - you'll need two if you run change-overs.

Be sure all your prints have DTS timecode. If some don't, you will need to get a DTS E175 that will allow you to read TACH. The problem with TACH is that once you start, you cannot stop. If you do, you need to start from the beginnning again.

You will also need to check that all your discs are 6-track. If you have any 8-track discs, the DTS-6D cannot play them back.

I am sending you an email with information on how to contact our office in the UK. They can help you.

Karen at DTS
khultgren@dtsonline.com

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Ivar Corceiro
Film Handler

Posts: 11
From: Portugal, Europe
Registered: Feb 2003


 - posted 02-13-2003 01:09 PM      Profile for Ivar Corceiro   Email Ivar Corceiro   Send New Private Message       Edit/Delete Post 
thanks to all

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