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Author Topic: Dolby CP55 question
Michael Harlow
Expert Film Handler

Posts: 170
From: Faversham, Kent, UK
Registered: Jul 2002


 - posted 02-12-2003 01:13 PM      Profile for Michael Harlow   Email Michael Harlow   Send New Private Message       Edit/Delete Post 
Ok, well i'm in the process of checking my projector speed, thanks everyone...
Question, i need to run a microphone through my CP55, i have a cd player attached to non sync, no problems there, but where do i put a microphone in ? do i need a preamp or something ? i have the cat 441 sub bass card as well and split surround. Help!

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 02-12-2003 03:51 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
If it is a single machine booth connect it to the Proj2 cell input and then changeover to the mic

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Christopher Seo
Jedi Master Film Handler

Posts: 530
From: Los Angeles, CA
Registered: Jun 99


 - posted 02-12-2003 04:00 PM      Profile for Christopher Seo   Email Christopher Seo   Send New Private Message       Edit/Delete Post 
Gordon,

Would there be any distortion issues with that setup given that the optical preamp expects a current source?

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-12-2003 04:12 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
It works fine with a CP200. The operator just selects projector 2, format 01 to turn on the mic.

Another way to set this up would be to use a tape recorder or mixing board with a mic preamp connected to the non-sync input.

The "right" way to do this for a permanent installation would be to have a completely separate system for the mic, with it's own preamp, amp, and loudspeaker. This reduces the possibility that someone might do something stupid and damage the film system (usually this happens when someone turns the volume all the way up and then realizes that the mic switch is turned off; turning it on with the fader all the way up will usually blow a diaphragm on a stage speaker).

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Duncan Smith
Film Handler

Posts: 50
From: England
Registered: Jan 2003


 - posted 02-13-2003 01:40 PM      Profile for Duncan Smith   Email Duncan Smith   Send New Private Message       Edit/Delete Post 
I am currently running mics through my CP55. I am using a Mackie VLZ 1604 mixer with the 4xsub groups hooked up to the Aux input. This way I can send any channel on the mixer be it mic, non-sync or otherwise to any channel in the auditorium. I have a stage area for intro's and discussions so I send mics to the surrounds and play non-sync if required throught the L & R to maintain stereo. If there's a radio mic in use for audience questions I route it through the surrounds as well as the centre channel a bit so the panel on stage can hear the questions clearly. I works very well, although we make sure all who use it are properly trained so they don't blow any speakers etc and cost me a few shows!

Hope this is of help.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 02-14-2003 10:42 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
So Scott....on a CP-200...just what was wrong with the "mic" input that made you want to use the projector input?

Steve

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-14-2003 10:59 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Steve--I have no idea. I didn't do it. It was set up years ago and seems to work fine.

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