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This topic comprises 5 pages: 1 2 3 4 5
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Author
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Topic: Ghosts of the Abyss in 35mm 3D?
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Bill Langfield
Master Film Handler
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Posts: 280
From: Prospect, NSW, Australia
Registered: Apr 2001
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posted 03-03-2003 02:28 PM
Daryl,
It may well have been StarChaser (a Cartoon), But by memory the only reason we had the the lens in the first place was for JAWS 3. Agreed that a 'silver' screen is required (which we had) but a HIGH-GAIN screen can work too I'm sure, erm think.
Mark,
Im, sorry, all I think they need for 3D is 'silver' or High-gain screens, then the top/bottom polirized lens (and Patrons to wear those cool paper glasses (we have thousands SOMEWHERE!)
All I know in the 3D that I know of does NOT involve RED/GREEN or RED/BLUE it uses POLIRIZED(SP) lens and glasses.
The 35mm frame is split in HALF making it a kind of 'super 16mm' scope picture' (Never screw up the spice, everyone will just get a headache, NOT 3D!!!)
Bill!
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John Hawkinson
Film God
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Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002
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posted 03-03-2003 02:42 PM
Mark, the text I have is "specially outfitted 35mm 3D theatres" not "specially outfitted 35mm theatres." That's from the TES website. The following went up on February 21st:
quote:
Ghosts of the Abyss details Release Date: Apr 11, 2003 Rating: G Runtime: Academy award winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration - the legendary wreck of the Titanic. With a team of the world's foremost historic and marine experts and friend Bill Paxton, he embarks on an unscripted adventure back to the final grave where nearly 1,500 souls lost their lives almost a century ago. Using state-of-the-art technology developed expressly for this expedition, Cameron and his crew are able to explore virtually all of the wreckage, inside and out, as never before. With the most advanced 3D photography, moviegoers will experience the ship as if they are part of the crew, right inside the dive subs. In this unprecedented motion picture event, made especially for IMAX 3D Theatres and specially outfitted 35mm 3D theatres across the country, Cameron and his team bring audiences to sights not seen since the sinking 90 years ago and explore why the landmark vessel-more than any shipwreck-continues to intrigue and fascinate the public.
(err, also adslicks, EDB one sheets, flat and scope trailers are all "backordered").
--jhawk
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