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This topic comprises 2 pages: 1 2
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Author
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Topic: CP650 and DTS - II
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Jean-Michel Grin
Expert Film Handler
Posts: 222
From: Geneva & Lausanne, Switzerland
Registered: Jul 2002
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posted 03-23-2003 08:02 AM
Hi Antonio,
I'm not sure that's I really understud your question, But in a theater I worked with a CP650 and a DTS-6 troubleless. You just have to check to use the right automation interface between your DTS processor and the CP 650. The right model is the D-715, to plug to the automation D25 on the back side of the CP 650, and check the position of the jumpers on it. Meanwhile I experieced some funny things: When the end tail pass trought the projector at the end of the show, the DTS don't recieve more time code and switch to his failsafe format: Dolby SR. The problem was that on my V8 the exciter lamp still powered when the motor running. I let you imagine how bad was the "end of tail sound" passing trought the speakers That will blows Yours ears ! The solution was to remove the end tail leader of the feature just after the last cue (who close the douser and switch the non-sync format) and add a step in the PC automation software, to re-force the CP 650 in non-sync mode. Note: If Your DTS processor is a DTS-6D model, a second failsafe automation pulse is genered, 60 seconds after the tail out, to switch the CP 650 to non-sync. More tips: If You want running your feature in DTS, and suposing that Your main feature got a Dolby Digital track too, but the trailers and advertising are in Dolby Digital, You may experiencing something like this: I.E. the CP 650 will detect the SRD track prior the DTS give is pulse to switch in format 11. In this case the CP650 wil stay in Dolby Digital... The same thing will occurs if the DTS lost the timecode (that could happend) The DTS6 will give a pulse to the CP 650 to switch on Dolby SR (05) but if the Dolby digital is present, and the auto digital enable is engaged, the CP 650 will switch to SRD. The solution ? Disable the auto digital function on the CP650, or switch off the SRD player lamp or Led light source. If I remember, the 6 channels input on dolby's processors was just connected before the EQ's section of the processor. Don't hesitate to contact me if you want more informations
My dilema is to no speak Italian, just Spanish....
Good Luck !
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Michael Schaffer
"Where is the Boardwalk Hotel?"
Posts: 4143
From: Boston, MA
Registered: Apr 2002
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posted 03-23-2003 12:02 PM
Jean-Michel, at the end of a dts feature there is information in the timecode which tells the dts-6D to switch the master processor to non-sync. If and which non-sync format is selected is defined on the same interface boards where you configure the reversion to analogue. There is no need to let the tail run out of the projector with the CP in analogue.
With the CP500, there was the problem that the dts board was factory set up to deliver the non-sync pulse on SK8, while most had their automation set up to have non-sync on SK7. So at the end of the feature, the automation would pulse the CP to SK7, and then the dts-6D would pulse the CP to SK8... But this could be easily remedied by resetting the jumper on the interface board.
I agree that it is best to simply disable Auto Digital and let the automation define which format you want and when. We have always disabled Auto D, because we have rolling commercials, some with and some without digital, and the constant switching between analogue and digital is irritating. One way to battle excessive trailer loudness is to play them in analogue. So Auto D needs to be disabled in order to let the automation choose whether analogue or digital. Choosing Format 10 has exactly the same effect as Auto D, so the function is quite unneeded.
And yes Antonio, the logo on the XD10 is red. However, I am not sure if that influences the unit`s automation.
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Michael Schaffer
"Where is the Boardwalk Hotel?"
Posts: 4143
From: Boston, MA
Registered: Apr 2002
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posted 03-24-2003 04:23 AM
But from past posts I gather you have access to dts units, so you could just bring one over for testing. I don`t know if the DX10 is available right now. But it should be in the near future. With the red logo on the front. Apart from the new logo, it has 10 possible channels of audio, video out, USB, IR and Ethernet, connections, two DVD drives, 40GB hard disk storage space for 30 features, so you have to let it read the disks only once. When you insert the first disk, it stores the first reel onto the hard disk in 30 seconds. Then it is ready for action, you can transfer the other reel data while it is playing the first reel. It can decode bth cinematic and home dts and has DTS Neo:6 which is kind of like ProLogic II in that it can unfold 2 channels into 6. The unit can be upgraded to the Cinema Subtitling System, but it is not a complete processor. You still need an analogue processor, like with the dts-6D.
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Karen Hultgren
Master Film Handler
Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000
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posted 03-24-2003 03:45 PM
Antonio,
The CP650 and DTS-6D work the same as any other installation. When the DTS-6D first switches to digital, it sends one pulse to the CP to go to digital (in the case of CP500/650 it's to format 11). And, then if the DTS-6D defaults out of digital during the movie , it sends one pulse the CP to go to analog (usually SR). At the end of the movie when the the DTS-6D falls out of digital, it send one pulse to the CP to go to nonsync.
What is your system doing? Remember, the DTS player does not monitor automation or the cinema processor. So, if someone pushes another format button or automation pulses the CP to analog, the DTS player cannot "see" it.
The XD10 has a red logo and I posted an article on the unit here two weeks ago. The unit should start shipping sometime in May.
Karen at DTS khultgren@dtsonline.com
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