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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » 2000 watt Lamphouse lumen rating.

   
Author Topic: 2000 watt Lamphouse lumen rating.
Phillip Seib
Film Handler

Posts: 7
From: Durham, NC, USA
Registered: Aug 2002


 - posted 04-26-2003 03:43 PM      Profile for Phillip Seib   Email Phillip Seib   Send New Private Message       Edit/Delete Post 
I was wondering if anyone had an answer to this. I was working on a project with some dlp/lcd engineers and the question came up as what is the lumens output from an average 2000-watt Xenon lamphouse. This is an average rating discounting model makes and type of reflectors. I was unsure, I remember reading it was around 17,500 lumen off an open house w/o film or lens. I just said we in celluloid projection measure in lamberts on screen not particularly in lumens. Now I am curious. Does anyone have any info to support the number?

Phillip Seib
Head Projectionist Carolina Theatre of Durham/
North Carolina Museum of Art

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Ian Price
Phenomenal Film Handler

Posts: 1714
From: Denver, CO
Registered: Jun 99


 - posted 04-26-2003 04:09 PM      Profile for Ian Price   Email Ian Price   Send New Private Message       Edit/Delete Post 
quote:
Definitions:

Foot-Candles

Light a candle. Get a ruler. Stick the candle on one end of the ruler. Turn out the lights. One foot-candle of light is the amount of light that a candle generates one foot away.

That's a neat unit of measurement. Why? Say you have a lamp. You are told it produces 100-foot candles of light. That means at one foot from the lamp, you will receive 100-foot candles of light.

But here's where it gets tricky. The further away you move the light from what you want to illuminate, the less bright the light seems! If you measure it at the light, it's just as bright. But when you measure at the object you want illuminated, there is less light! A Physics teacher is going to tell you that light measured on an object is INVERSELY PROPORTIONAL to the distance the object is from the light source. That's a very scientific and math rich way of saying, the closer you are to the light bulb, the brighter that bulb is. Or, think of it this way. You can't change how much light comes out of your light bulb. So, to make more light on an object, you have to either move the light closer, or add more lights.

Now, lets get to LUMENS.

A LUMEN is a unit of measurement of light. It measures light much the same way. Remember, a foot-candle is how bright the light is one foot away from the source. A lumen is a way of measuring how much light gets to what you want to light! A LUMEN is equal to one foot-candle falling on one square foot of area.

So, if we take your candle and ruler, lets place a book at the opposite end from the candle. We'd have a bit of a light up if we put the book right next to the candle, you know. If that book happens to be one foot by one foot, it's one square foot. Ok, got the math done there. Now, all the light falling on that book, one foot away from your candle equals both…….1-foot candle AND one LUMEN!

Ok, what comes out of the lens or video projector isn't important. It's what is happening on the screen that is important. A movie screen should have 16-foot candles on the screen. A movie screen can be any size and any distance from the light source. All this affects the light.

I have four 2,000-watt lamphouses from two different manufactures. Most of those screens are 10' x 24'. Using the above definitions and the fact that SMPTE asks for 16-foot candles on the screen. I conclude that for those screens I need a video projector of at least 3,840 lumens. (10x24x16=3,840)This is born out in the fact that a brand new video projector with a 4,000-lumen output seems to light up my screens nicely.

My calculations and assumptions may be wildly off base and I'm no expert. But there you go.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 04-26-2003 05:50 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
actually IAN it is foot lamberts not foot candles
foot candles are direct light measurement (the amount of light falling on the object)
Foot lamberts are the amount of light reflected back which takes into acount the gain of the screen

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Dave Macaulay
Film God

Posts: 2321
From: Toronto, Canada
Registered: Apr 2001


 - posted 04-26-2003 08:35 PM      Profile for Dave Macaulay   Email Dave Macaulay   Send New Private Message       Edit/Delete Post 
Light measurement units give me a headache.
A Lumen is a typical one. It is a measure of light power, in a way. 1 lumen is about 1.5mW. It is (paraphrased) defined as the amount of light falling into one steradian of the spherical area around a uniformly radiating light source of one candela. (my head is starting to hurt)
A candela is the fancy term for what was once a real genuine standard candle one could light with a real match.
The steradian measures solid angles - a floodlight might illuminate 1 steradian but a spotlight only 1/10. The standard candle would light the entire sphere surrounding it (OK, ignoring its own shadow).
A sphere contains 4pi steradians. The area of a sphere is 4pi(r**2) so the area of one steradian is exactly one square radius - the one foot radius defining a footcandle gives one lumen as the light falling on one square foot ... of the sphere's surface though. (throbbing pain now)
The brightness of a perfectly reflecting matte surface of one square foot area which is illuminated by one lumen of light is one footlambert.

This has very little relevance to the question of light output from a 2kW lamphouse, eh?

If I didn't need aspirin, I might be able to figure the usable light output... given the largest screen that can be lit to 16 Ft-L with a 2kW lamphouse, effective lumens should be calculable from the screen area, brightness, and gain. This is not the total lumens from the lamphouse, just the ones used to light the screen after all inefficiencies in projection are applied. Most projectors immediately waste 50% of the light when the shutter is closed, for example.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-26-2003 09:06 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Lamphouse efficiencies vary, but you should be able to get about 6400 lumens from a 2000 watt lamphouse (scope format, 50% efficient shutter, modern lens), and be able to light a 13 x 31 foot matte white screen to SMPTE 196M specifications.

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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 04-26-2003 09:16 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Ian's quoted material alluded to the distance factor in perceived brightness. John's reply doesn't seem to consider distance at all (correct me if I'm misunderstanding). In another thread (maybe it was a chat) I expressed amazement at how far the Starlite Drive-In screens are from the booth and asked what the lamphouse wattage is (turned out to be 7K). But someone said the distance is not a major issue because it's a focused, somewhat coherent beam of light. So is distance really not important?

Here's another scenario: A local theatre with 480 seats has a fairly long, straight throw to the screen. The screen is only ~30' wide in scope, ~24' flat. They are using a 4K lamp, optics are fairly new. Image brightness appears to be just about right (although I have no way of measuring of course). Close to John's theoretical screen size. So why do they need a 4K lamp, when 2K might do? I know I'm oversimplifying, sorry. Maybe a better question would be, why would they buy a 4K lamphouse when there might be a 2K lamphouse (and optics, etc.) that could do the same job?

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 04-26-2003 09:45 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
David, distance is not really a big deal. Jim Bonholzer in Yakima had a 746-foot throw at his drive-in and he was powering it with 2500 watt ORC. The picture was not too bad....but a binoculars was needed to focus that damn thing. It's the screen size that really counts, in addition to shutter efficiency and how good a lens is used. [Smile]

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 04-27-2003 01:39 AM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
I think what Ian is saying is that without any optical system, the raw light source does indeed fall off and has less energy and appears dimmer as the distance increases.

It is true that when a projection/optical system is used, the distance is not significant. The screen illumination is a function of the screen surface area for a given format (among other factors).

So, if one chose the correct focal-length lens…and assuming the same speed lens (f/t-stop)… the image will be the same brightness at 50 ft as it would be at 200 ft with the same optical system but with the correct lens to produce the same-size image.

The correct relationship to distance is: Illumination is inversely proportional to the square of the distance. Thus (using the same optics and all), if you double the projection distance, you will have 4-times the screen area and reduce the screen illumination to 1/4th of the original value…unless of course you adjust the lenses' focal length.

>>> Phil

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-27-2003 08:35 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
You can use a larger lamp and trade the extra light for other advantages, e.g., a three-blade shutter to reduce flicker, stopping down the lens for better depth of focus, better uniformity of light distribution, etc.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 04-27-2003 11:46 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Distance has no direct effect on illumination brightness.

However there are other issues relating to distance that might affect the efficientcy of the system.

Most lenses are 70.6mm in diameter. As such, by definition, above 141.2mm the f-number (speed) of the lens will be getting progressively slower (and you only get to 141.2 if you could magically have the exiting lens element use all of the barrel diameter...so lets call 140mm the max).

As your distance increases, your focal length for a given format will increase and, in the case of drive-ins, will probably go beyond the 140mm focal length. For Scope, they often use reverse anamorphic lenses to go over 200mm effective focal lengths (EF). Thus, a drive-in using "modern" lenses will be less light efficient.

In the olden days, lens manufacturers had 4" (101.6mm) diameter lenses with fast (f/1.7) optics for using in long throw theatres and drive-ins.

When one is evaluating light and anticipating the results...everything is a factor...starting with the xenon lamp and its design...the closer the arc resembles a point source, the better the efficiently of the system...so all 2KW lamps are not alike. Then, moving on to the reflector...how well it is designed and how well it works with the projection lens affect efficientcy.

As others have mentioned...shutter design can affect how much light reaches the lens. 50% is nominal but there are those that are more efficient and those that are less (3-blade).

Then there are the lenses...there are ones with faster and slower f-stops and those that are more efficient at receiving the light (like ISCOs Ultra-Star PLUS) lenses. However even a lens design can be foiled by a incompatible reflector design.

When it comes to video...we have effectively a shutterless open gate...generally a video system at 12fL will look identically bright to a film system running at 16fL since we measure the film system with no film...at clear film and you will find that the measured light will drop to 12fL, on average.

Steve

[ 04-27-2003, 03:22 PM: Message edited by: Steve Guttag ]

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