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This topic comprises 2 pages: 1 2
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Topic: Perspecta System on ebay
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John Anastasio
Master Film Handler
Posts: 325
From: Trenton, NJ, USA
Registered: Sep 2000
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posted 06-07-2003 08:29 PM
I've rebuilt a couple of the Fairchild units and was there for the "Forbidden Planet" showing. The original unit that was installed at the Lowes didn't work, by the way, and the unit that you heard was trundled in at the last minute. It wasn't really set up for the proper levels, but the show sounded pretty good anyway, as you know. I repaired the broken Lowes unit last fall. I never had to melt out the wax on the Fairchilds, though. When I popped the tops on those filters, the caps were just sitting in there. I used a capacitor substitution box and just kept dialing until the filters were operating at the proper frequencies, then put in some pre-calibrated caps. The broken unit turned out to have a manufacturing defect that had gone unnoticed since the thing was built! In addition someone had tried to rewire it in order to use it with a different preamp. As far as I know, it's back in the rack now. Bob Furmanek would probably be able to tell you which films were done with the process. By the way, there was another unit manufactured by Hare that made the Fairchild look like something from Radio Shack. It was far superior. I've worked on them also and they're built much better than the Fairchilds.
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Bernie Anderson Jr
Master Film Handler
Posts: 435
From: Woodbridge, New Jersey
Registered: Apr 2000
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posted 06-25-2003 02:32 PM
Here's what I can tell you:
MGM used Perspecta on everything (cartoons, shorts, even trailers) between the Summer of 1954 and sometime in 1957. The first US release was BETRAYED and the first in the UK was KNIGHTS OF THE ROUNDTABLE. They stopped sometime in 1957. JAILHOUSE ROCK was one of the last titles with Perspecta.
Warner Bros. used it on its A features starting with LUCKY ME in the Fall of 1954. I don't know when they stopped.
Paramount used it on its VistaVision releases starting with WHITE CHRISTMAS in 1954. They stopped sometime in 1956.
Universal-International used it on their A features starting in the Fall of 1954. They stopped in 1957.
United Artists used it on some features. The first was THE BAREFOOT CONTESSA in 1954.
Allied Artists also used it occasionally. The only title that I know for sure with Perspecta was INVASION OF THE BODY SNATCHERS.
I can find no record of Columbia, RKO, or Republic using it.
Each studio had their own approach to the process. MGM, Universal and Warner Bros. went for all out panning throughout the entire film. The tracks that I've heard include Forbidden Planet, Black Shield of Falworth, One Desire, The Benny Goodman Story, This Island Earth, Brigadoon and King Richard and the Crusaders. When mixed properly (the Universal prints would occasionally have problems with exaggerated gain levels) it was very effective.
Paramount was very selective, and only used the left/right speakers for dramatic effect. For instance, the VistaVision music begins in the center speaker. As the V comes forward and the music swells up, the audio kicks in at top level on all 3 speakers. It's a very effective use of the process. However, the audio is mostly center channel except for an occasional off-screen voice or sound effect. I've heard White Christmas, Seven Little Foys, Three Ring Circus, Strategic Air Command, You're Never Too Young and several others. They're not terribly impressive if you're looking for full directional sound.
I haven't heard the UA titles, and only reel one of Invasion of the Body Snatchers. Except for the main titles, everything else was center channel.
While there may be something like 100-150 features in the system, I would not put any stock in someone's claim that there were thousands!
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