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Topic: My Lamphouse Dilemma
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Mark Gulbrandsen
Resident Trollmaster
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Posts: 16657
From: Music City
Registered: Jun 99
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posted 06-16-2003 07:54 PM
Don, You may not need the sun, or a Jetarc either, but you do need is the correct color temperature and at least decent light for the best projected image. Without that your films will probably look dull and flat. That points to Xenon for you..... The ORC 1000's are really not such a bad lamphouse if rebuilt with modern semiconductors. They are however a very misunderstood lamphouse. I had 4 model 1000's that I used for location dailies work for years before selling them off one by one, for more than I paid for them .
I rebuilt all of them before they ever left the shop the first time....and not one of them so much as hicckupped. In fact, the only problem I encountered down the line was one that needed a new reflector....thats it. They were shipped around, dropped in shipment, broken apart, but they always functioned. On one location film shoot in Memphis The LArry Flint film...... one of them was damaged in shipment by Fed-Ex. It was literally held in place on the projector base with duct tape to make it through the show!! Steve Kraus can verify this!
With the limited current you have the 1000's are probably the best route for you to go. There were other snallish xenon lamps at one time but most of them ahve gone into obscurity and parts are literally non-existant. The only other way, and what I ahve setup at home is a Super Lum-Ex with a 700 lamp and a single phase Irem rectifier. That works well too, but is a bit more complicated and expensive than a pair of 1000's.
Mark @ CLACO CLACO Equipment And Service Salt Lake City, Utah 801-355-1250
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