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This topic comprises 2 pages: 1 2
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Topic: Harry Potter Quality?
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Christian Appelt
Jedi Master Film Handler
Posts: 505
From: Frankfurt, Germany
Registered: Dec 2001
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posted 06-04-2004 05:41 PM
I just came from seeing HARRY POTTER, and image quality leaves much to be desired. When I compare it to the first two films, it looks slightly better because it has less grain, but except some closeups, the image is very soft, lacking details. There was quite some negative dust, picture steadiness was OK.
Contrast seems to high to me, giving the film a "dupey" look. Not state of the art even for Super 35 photography, but better than Part 2 which looked worse than 16mm scope to me when it came out. But I heard that quality varied between prints from different labs (for the German market), like in the case of TROY.
I liked the picture much more than 1&2, but why can't they get it really sharp. Oh, and I did see it on Kinoton machines...
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Brad Miller
Administrator
Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99
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posted 06-05-2004 01:28 AM
The return height of the film on takeup is an issue, yes. That's just insanely moronic.
The layering of film isn't that big of an issue, but an arm that could be flipped over to cover the opening as the film enters the brain would solve that issue for anyone with it. (Look at a new AW3 center ring with the latch to see the concept.)
There are many other issues with it though. I know I've gone over it on the forums before and I brought it up to Kinoton at ShoWest. A few quick ones off the top of my head...
Needs a platter mount film cleaner bracket no higher than 4 feet off the floor. Big Sky and MiT mount theirs at the top of the tree, apparently because they think everyone using their equipment is at least 9 1/2 feet tall. It needs to be somewhere around waist level for ease of use.
True swivel rollers for feed and return, not the way Kinoton designed it with the feed one having 180 degrees of travel and the takeup one having the *other* 180 degrees of travel. That's stupid and accomplishes nothing, because the projector STILL has to be at that exact 90 degree angle to the platter!
Each platter should payout and takeup individually. If I have two ST-200 platters and I want to feed from one and takeup on the other, I should be able to do that! (I have not verified that this is indeed an issue, but was told that it was.)
Automation should not have to *tell* the platter when the projector is started. The platter should be able to figure this out on it's own like all others.
The platter should also be smart enough to be able to leave 3 brains mounted at all times and figure out which platter is the payout via the sensors and which platter is the takeup by which arm has been pulled. Duh!
User-adjustable ramp speeds on payout is also desired. I've never met an "auto adjusting" platter that I liked, and the Kinoton is no different. No two platter decks are alike in speed. If I want the platter to take 10 seconds to ramp from full stop to full on at the start of the show, I should be able to set that. Likewise if I wanted it to reach full speed in 1.5 seconds, I should be able to set that. (Obviously the more sluggish the better.)
As you can see, none of this is anything that would require Kinoton to junk the design. It just needs a few modifications to be really great. Until then, it's the Christie AW3 all the way.
Let's take this elsewhere if someone else feels the need to comment. This topic is getting too far off track.
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