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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » AMC to use pre-show projectors and satellite to distribute movie (Page 0)

 
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Author Topic: AMC to use pre-show projectors and satellite to distribute movie
Jeffry L. Johnson
Jedi Master Film Handler

Posts: 809
From: Cleveland, Ohio, USA
Registered: Apr 2000


 - posted 09-07-2004 05:27 PM      Profile for Jeffry L. Johnson   Author's Homepage   Email Jeffry L. Johnson   Send New Private Message       Edit/Delete Post 
At the 2004 Sundance Film Festival, the projection format of Evergreen was Sony HD Cam (1080i), aspect ratio 16:9. According to the festival program the origination format was 35mm.

The feature was preceded by the short film Water, 35mm, 1.85:1, Dolby SR.

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Edward Jurich
Master Film Handler

Posts: 305
From: Las Vegas USA
Registered: Jul 2003


 - posted 09-07-2004 09:44 PM      Profile for Edward Jurich   Email Edward Jurich   Send New Private Message       Edit/Delete Post 
I'm not sure this will look much worse than the print of "The Best Two Years" we are running. Really poor color, probably shot on video although there is no credit for a video transfere. [puke]
I've seen AMC preshow junk here in Kansas City and the quality really sucks. Could be AMC is looking for some sort of tax write off by chasing customers away

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 09-08-2004 12:29 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
quote: Paul Linfesty
Actually it was to give independent theatres access to major studio films.
While this is correct, it is still only partially correct. The use of the word "actually" here seems to suggest that my answer was incorrect. I stand by my answer, adding the following...

The Consent Decree eliminated, among other things, the practices commonly known as blind bidding and block booking which had left independent exhibitors without much of a "say" in terms of what product they would show. So, it follows that the independent theatres already had access to the major studios' product up to that point. That was not the problem, per se. Rather, the concern surrounded the unfair conditions for use and the negative consequences thereof.

The short story, in plain English:

The "little guys" could get the "big movies" but then they couldn't show anybody else's movies. They also had to show a whole bunch of crappy movies in order to get a few good ones. They also never knew which would be good ones or bad ones because they were not permitted to preview any of those movies. There was also no guarantee that they would get a movie at the time of release or at some later point. Furthermore, they might find themselves competing directly with a bigger "studio theatre" across the street or on the same street or in the same neighborhood. Being so tightly tied-up with the big movies meant they could not show "independent" movies. Hence, both independent exhibitors and producers were being screwed by that kind of deal. Hence, the investigation, lawsuit and the eventual Consent Decree.

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Mitchell Dvoskin
Phenomenal Film Handler

Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001


 - posted 09-08-2004 02:39 PM      Profile for Mitchell Dvoskin   Email Mitchell Dvoskin   Send New Private Message       Edit/Delete Post 
The Consent Decree eliminated, among other things, the practices commonly known as blind bidding and block booking which had left independent exhibitors without much of a "say" in terms of what product they would show.

Eh? The "Consent Decrees" were back in the 1950's. Blind bidding was alive and well until well into the 1980's, and to some extent still exists today. Sometime in the 1970's, Pennsylvania made it illegal, but that only applied to that state.

In addition, the "Consent Decrees" only apply to those companies that signed agreements with the Justice Department to abide by them, in return for the Justice Department dropping their anti-trust lawsuits against them. Other companies, and companies that did not exist at that time are not bound by them, and are only subject to the broader anti-trust laws.

/Mitchell

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Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 09-08-2004 09:44 PM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
A lot of the digital pre-show projectors that I have experienced at various AMCs a) Don't fill the screen at all (I guess they aren't meant to); b) have very bad EQ; c) sometimes it sounds like the left & right are out of phase, which will make the dialogue fun to listen to for this "feature".

And of course, there is also no way you can sit through an entire feature sitting up close to the screen because the resolution absolutely blows, so AMC better be hoping this movie doesn't sell out!

The audience seems to not care about these problems during the commercials, which no one really watches anyway. It will be interesting to see how much they care about them during the feature.

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 09-08-2004 09:49 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
quote: Mitchell Dvoskin
Blind bidding was alive and well until well into the 1980's, and to some extent still exists today.
This is true.

And, you know, as I wrote that I *did* stop and think to myself, "Oh my goodness...It came back!"

That part about the Consent Decree not applying to other entities is also correct.

I recall an instance where a theatre I worked for was told they would get an exclusive with a certain highly-anticipated kids' movie if they agreed to play some overblown Oscar-contending vanity flick which was predicted to be a bomb. The theatre begrudgingly ran the epic and it bombed big-time...and sat in that theatre for maybe as long as 3 weeks. So you can imagine how the fur flew when that kiddie show opened at the theatre across the street.

I asked the owner about it about a year later and he smiled and said something like "we make our deals, we do our part and hope for the best but in the end...what are you gonna do?"

It reminds me of that old adage that says: In Hollywood, "trust me" means...

quote: Mark J. Marshall
The audience seems to not care about these problems during the commercials, which no one really watches anyway. It will be interesting to see how much they care about them during the feature.
It will be *very* interesting if people are actually okay with the image quality. What then?

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 09-09-2004 05:55 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote: Manny Knowles
It will be *very* interesting if people are actually okay with the image quality. What then?

Unfortunately, some people will watch anything, no matter how bad the image quality. But it's likely the theatre will be losing a large part of their potential audience, who won't return because of poor presentation quality. I suspect 1 complaint represents about 100 people who are dissatisfied and never speak up, but won't return.

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Bevan Wright
Expert Film Handler

Posts: 176
From: Fountain Valley, CA, USA
Registered: Sep 2003


 - posted 09-09-2004 11:26 AM      Profile for Bevan Wright   Author's Homepage   Email Bevan Wright   Send New Private Message       Edit/Delete Post 
If I am not mistaken, this will be the widest release of a 'digital' feature film yet. 576x1024 LCD at about 3k lumens with a new lamp. Anyone seen the movie in 'digital' yet?

[ 09-09-2004, 01:15 PM: Message edited by: Bevan Wright ]

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Mitchell Dvoskin
Phenomenal Film Handler

Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001


 - posted 09-09-2004 12:18 PM      Profile for Mitchell Dvoskin   Email Mitchell Dvoskin   Send New Private Message       Edit/Delete Post 
576x1024 LCD

Gee, I can buy one of these for under $1700. Why would anyone want to pay a theatre for the privilage of watching consumer grade video?

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 09-09-2004 12:50 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
More than that, probably, for the lumen level required. But indeed not very costly.

So people will see this, form a negative impression of digital projection (if it's properly identified as such)? This is a bad thing? Maybe this experience will help offset the buzzword aspect of "digital" and force the real digital cinema systems to compete entirely on price & quality.

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Jesse Skeen
Phenomenal Film Handler

Posts: 1517
From: Sacramento, CA
Registered: Aug 2000


 - posted 09-09-2004 01:21 PM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
Porn theaters have been showing consumer-grade video for over 10 years now.

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Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 09-09-2004 08:44 PM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
quote: Frank Angel
And he got all puffed up and got Warners to strike special boxed (1.33 in an 1.85 frame) versions of their old cartoons. How long did THAT last?
I ran those cartoons. It lasted one year - exactly as long as it was supposed to last. It was to celebrate Bugs' 50th birthday if I'm not mistaken.

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Edward Jurich
Master Film Handler

Posts: 305
From: Las Vegas USA
Registered: Jul 2003


 - posted 09-10-2004 10:26 PM      Profile for Edward Jurich   Email Edward Jurich   Send New Private Message       Edit/Delete Post 
quote: Jesse Skeen
Porn theaters have been showing consumer-grade video for over 10 years now.
I guess you know this from first hand experience [thumbsup]

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Jesse Skeen
Phenomenal Film Handler

Posts: 1517
From: Sacramento, CA
Registered: Aug 2000


 - posted 09-11-2004 06:54 PM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
Yes, I went to our local porn theater (the Regency, formerly a Pussycat theater and I've heard it was a mainstream theater before that) a few years ago just to check it out, as I'd never seen the inside. Still looks pretty nice, but was sad to look up and see the projection booth dark. The picture was coming from a large video projector set up in the front rows and roped off, it didn't look very good at all. Still haven't seen any of these new-fangled "digital preshow" things so don't know if they look any better or worse.

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Matthew Jaro
Film Handler

Posts: 74
From: Gaithersburg, MD, USA
Registered: Jul 2003


 - posted 09-11-2004 09:11 PM      Profile for Matthew Jaro   Author's Homepage   Email Matthew Jaro   Send New Private Message       Edit/Delete Post 
How come all of Chris's posts are edited out? It makes it hard to read the thread.

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