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This topic comprises 3 pages: 1 2 3
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Author
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Topic: Xenon lamp question
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Monte L Fullmer
Film God
Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 12-15-2004 06:03 PM
Yay Christie-comes through again.
I worked in a theatre that had the complete Cinemeccanica V8/V88 setup (big 13k reel transport on the back, 10k reel arms on the front) with the side shooting 2.5K xenon vertical lamphouses and IREM "steering wheel" rectifiers.
The lamphouses had the prefocus mirrors that were positioned in front of the bulb to prefocus the bulb to the big amber tint glass mirror,before hitting the coated flat mirror, then onto the aperture opening. Without the prefocus mirrors, there was a lot of light lost in these lamphouses before it would exit out the "snood."
Now, that was some serious alignment factors for the bulbs with these lamphouses. But was nice that the bulb can be encased in the carrier when installing/uninstalling these bulbs.
It seems like the verticals can last many times more than the horizontals, mainly due to the vertical positions of the arc ends to eliminate the sagging syndrome of the horizontal-reason due to the rotation factor of the horizontals, outside of the darkening of the quartz.
I've seen 2.5K's run over 10K hours in these vertical lamphouses, but I get mighty leery of a changeout on thinking of the quartz being weakened due to these extensive hours, but the light output is still great. -thx Monte
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