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Author
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Topic: TES up to old tricks again!
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Monte L Fullmer
Film God
Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 04-11-2005 01:25 PM
quote: Peter Schoell First of all, the credits were there Second. Who cares?
He DOES care, for he knew that he shipped that print back to TECH with that 300 feet intact.
TECH DOES screw up at times! The best thing to keep anybody's "bases covered", especially when doing the billwork, is to keep a "booth log" of film handling. Record down your prints coming in by documenting depot, title, and most important-PRINT Number!
Yes, TECH screws up at times. The big one is when you have a print ready to go out on Friday, and there is no pickup, or DHL will not accept it due to it's not on their list for pickup, but the other print(s) that is available are and will be picked up.
If this happens, get on the phone to TECH immediately 1-800-99FILMS and tell them that a print was denied for pickup. If you don't, you have a good chance of getting hit with a charge for an attempted pickup because it wasn't "listed" on DHL's list for pickup.
That place has so many "unskilled labourers" there-probably coming and going, that they actually themselves "don't care" what happens.
-little help for all. - thx Monte
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Dominic Espinosa
Phenomenal Film Handler
Posts: 1172
From: California, U.S.A.
Registered: Jan 2004
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posted 04-11-2005 05:46 PM
Credits, short features, studio logos, etc. The print should be in tact from head to tail no matter what.
As for keeping records, I agree with Monte completely. I keep detailed inspection reports for all films recieved. They list all of the vital information you'll ever need for handling the print including sound and picture formats, print numbers, etc. Damage found during initial inspection, during the run, and final inspection is all recorded and the inspections stay in my desk for a year after the print has been played just for good measure. We also keep a daily entry log book, it helps keep track of maintenance and such.
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