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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Homemade Platters for 16mm or 35mm (Page 1)

 
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Author Topic: Homemade Platters for 16mm or 35mm
Henry Titchen
Film Handler

Posts: 31
From: Singleton, NSW, Australia
Registered: May 2005


 - posted 05-19-2005 05:14 AM      Profile for Henry Titchen   Email Henry Titchen   Send New Private Message       Edit/Delete Post 
Hi,

I was reading some very old posts and came across someone asking about homemade platters.

Has anyone any photos/plans they could post of homemade platters?

I'm sure others would be interested as well.

Thanks From,
Henry.

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 05-19-2005 09:02 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
CFS... good as homemade!

 -

[Wink]

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Henry Titchen
Film Handler

Posts: 31
From: Singleton, NSW, Australia
Registered: May 2005


 - posted 05-20-2005 07:28 PM      Profile for Henry Titchen   Email Henry Titchen   Send New Private Message       Edit/Delete Post 
I guess with the availability of used platters there is little incentive to make a homemade one any more.

Henry.

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Glen Rich
Film Handler

Posts: 55
From: Nedlands, Western Australia
Registered: Feb 2002


 - posted 05-21-2005 04:15 AM      Profile for Glen Rich   Email Glen Rich   Send New Private Message       Edit/Delete Post 
Hi Henry,
In regards to making your own platter you could try your local (Sydney) Atlab or Entertainment Services and they may be able to put you in touch with one of your local independent "techs" who design and build towers and platters for the independents. Failing that they can give you an idea of the availability of 2nd hand platters.
If thats the way you go, stay away from 2nd, 3rd or 12th hand Christie platters they're nothing but trouble.

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Paul Trimboli
Master Film Handler

Posts: 274
From: Perth Western Australia
Registered: Dec 2002


 - posted 05-21-2005 04:49 AM      Profile for Paul Trimboli   Email Paul Trimboli   Send New Private Message       Edit/Delete Post 
Making a platter is not too dificult. Making one with centre payout like actual platters would be harder. You could make a platter with a payout deck and takeup that would require rewind after the show. 2 'yo yo' (like the take up on a Speco) could be used to provide the payout speed control and another for take up. I am building a double mutt, oatley electronics sell suitable motors VERY cheap as well as speed controls. You could probably build something up for around the $400 mark, maybe less.

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Henry Titchen
Film Handler

Posts: 31
From: Singleton, NSW, Australia
Registered: May 2005


 - posted 05-21-2005 05:18 PM      Profile for Henry Titchen   Email Henry Titchen   Send New Private Message       Edit/Delete Post 
Thanks for that reply Paul,

I would be very interested to see a photo of what you are making and also to hear where you sourced rollers, guides etc from.

Are you planning to use the 12/24V motors from Oatley electronics?

What would you make the platter from?

Henry.

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 05-21-2005 09:19 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
In the U.S., you could buy the platter above for about $200.

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Henry Titchen
Film Handler

Posts: 31
From: Singleton, NSW, Australia
Registered: May 2005


 - posted 05-21-2005 10:22 PM      Profile for Henry Titchen   Email Henry Titchen   Send New Private Message       Edit/Delete Post 
That is very cheap. I haven't seen any available for sale here in OZ secondhand...maybe I'm not looking in the right places though.

Henry.

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Paul Trimboli
Master Film Handler

Posts: 274
From: Perth Western Australia
Registered: Dec 2002


 - posted 05-21-2005 10:39 PM      Profile for Paul Trimboli   Email Paul Trimboli   Send New Private Message       Edit/Delete Post 
I am using the 24volt 300watt motors, and will be using a chain drive to gear them down. I now notice they sell gear motors which would be perfect, but I already bought the 300watt type. Once I get a bit further advanced I can send you some pictures, mine is a MUTT which uses large reels rather then a platter deck. The platter deck could be made from possibly MDF with a suitable HUB and shaft in the middle to run on, the motor driving on the outside of the deck (like actual platters).

Geee I wish I could find a CFS platter for the $400 mark in Austrlia! Sure it might be rubish but would make a good base to upgrade from.

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Henry Titchen
Film Handler

Posts: 31
From: Singleton, NSW, Australia
Registered: May 2005


 - posted 05-21-2005 11:24 PM      Profile for Henry Titchen   Email Henry Titchen   Send New Private Message       Edit/Delete Post 
Paul,
Sorry I missed that you said it was a MUT. Is it going to be similar to Greg Mueller's (as shown in the picture section)?

Henry.

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 05-22-2005 08:46 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
quote: Henry Titchen
I haven't seen any available for sale here in OZ secondhand...maybe I'm not looking in the right places though.
Catch a theatre that's closing down or upgrading their equipment. They might give them to you just to haul them off. The CFS units are crap, as are the Potts of that vintage, but they're good enough for home or occasional use.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-22-2005 01:24 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
quote: Tim Reed
...but they're good enough for home or occasional use.
Well, maybe. Problem is that some people running films at home are running rare prints that often are the best surviving prints of a moviein private hands. Do you really want to see them ran on anything but the best equipment??? [Eek!]

It really depends on what he is running as to whether it is ok or not.

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 05-22-2005 03:20 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
I was thinking more along the lines of longevity. [Smile] With regards to the potential for film damage, I would put a homebrewed unit at higher risk than a used crappy. [Smile] Someone saavy enough to consider building a unit from scratch should be able to make an old Potts or CFS work satisfactorily, that is, if they absolutely insist on having a shadetree mechanic platter.

I personally would have neither, and when I had a screening room in my basement, I had an AW-3! Heh-heh. [evil] But crap is about all anyone's gonna get for 2 bills.

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Henry Titchen
Film Handler

Posts: 31
From: Singleton, NSW, Australia
Registered: May 2005


 - posted 05-25-2005 04:56 AM      Profile for Henry Titchen   Email Henry Titchen   Send New Private Message       Edit/Delete Post 
It sounds (and looks from viewing photos of private screening rooms) that homemade towers are much more common than homemade platters. Are there any plans around for these?

I guess the "huge" reels could be quickly fabricated using aluminium sheet and getting them laser cut.

Anybody made their own tower?

Thanks,
Henry.

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Paul Trimboli
Master Film Handler

Posts: 274
From: Perth Western Australia
Registered: Dec 2002


 - posted 05-25-2005 05:55 AM      Profile for Paul Trimboli   Email Paul Trimboli   Send New Private Message       Edit/Delete Post 
I do not like the idea of a tower, lifting the reels does not seem like a good idea. A double mutt is where each reel sits either side of the device. You can buy the large capacity spools, don't ask me where in Australia, maybe ask a local service company?? If you can look through the forums and find a thread about Sam Hunters tower,might be a good start. You could probably get away runing one of those 24volt GEAR motors from Oatley Electronic and linking it to the shaft driving the reel with a flex coupling. A 'dancer arm' is what controls the take up and payout speed. The films runs from the reel and under the roller on the arm, as the tension on take up goes up the arm is pulled up bringing the speed down, on payout the opposite happens. The 'dancer arm' is conected to a small gear which meshs with another gear attached to a potentiometer. This is wired into a speed control cct which runs the motors. You can buy the speed controler from Oatley for $24 I think. Again once I get some of mine done I will be able to offer more help. [thumbsup]

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