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This topic comprises 2 pages: 1 2
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Author
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Topic: Strong CNA-150 Automations = Ugh...
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Pete Naples
Phenomenal Film Handler
Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001
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posted 09-20-2005 01:51 PM
Start Cue? If the 150 is in any way similar to the 100 you could run it in interlock all the time (obviously making sure that only machines you want to interlock are in the same interlock group). With the CAN200 you would simply add a program step that does nothing, save for starting the motor, the next cue would then be the presentation proper.
The FP350 can be tempremental, make sure it's REALLY clean, and that it's not bent, the number if them I've seen where they've had a tug from the take-up, which has bent them a wee bit out of shape, which moves the film away from the sensor. You can also replace the sensor from time to time. Failing that, chuck it away and fit a real failsafe/cue detector, the FM35. I don't like the FP350 much as it doesn't sense film motion or run off.
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Monte L Fullmer
Film God
Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 09-20-2005 02:03 PM
quote: Matt Hollis No provision for a start cue
That is cue "ZERO is - your "start" cue.
When you press the start button, cue zero is the beginning of the program, which waits after the 7second delay before dowser opens. There is no need for a piece of cue tape on the leader for this (must be used to the 3Q system of Christie, which does need the start cue..and I agree the 3Q from Christie is tons better than the STRONG any day..but, you have to work with what you got and there is nothing you can do about it..) cue function.
You'll have to go into your program edit function and assign que zero your opening sequences for lights, curtain and sound, then continue from there til show end.
How are you placing your cues on the film for the FP-350 to read? If your placing the cues lengthwise on the film, you're going to have to replace that cuetape once a week due to the cracking of the aluminum of the tape.
What I do for the FP-350 to read cuetape is to take a small piece of cuetape and fold it across the edge of the film, inbetween the pair of sprocket holes, then take the splicer and punch out what is overlapping the sprocket holes. Then, on occasion, draw a piece of splicing tape across this cue to keep it from cracking, but this method will make the aluminum last tons longer and the FP-350 will read it every time.
Also, as mentioned, keep the underside of the FP-350 clean and wipe off the LED sensors underneath so the unit can sense film travel.
thx-Monte
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Matt Hollis
Film Handler
Posts: 49
From: Paragould / Jonesboro, AR, USA
Registered: Jan 2005
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posted 09-27-2005 01:04 AM
Alright, thanks for the info guys.
Brad, that is pretty much the cue setup I have.
Cue 0 - Lights Up, Non-Sync Start Button - Motor On, Lamp On 8 Seconds - C/O Open Cue 1 - Lights Down, Sound SR (Autodigital takes care of SRD) Cue 2 - Lights Up at Credits Cue 3 - Non-Sync, Showend Film Run Out - Motor Off, Lamp Off
I just think it would be so much better to have Cue 1 be able to open the C/O douser that way you can have it open exactly when you want instead of having to rely on the delay. Also, you could use an infinite amount of leader. If you can make the C/O close with the showend key, why is there not just a key for C/O open, too? Stupid!
We should retrofit with CA-21s...
Matt
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