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Author
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Topic: Looking for any kind of info on Interlocking
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Tristan Lane
Master Film Handler
Posts: 444
From: Nampa, Idaho
Registered: Feb 2002
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posted 05-04-2007 03:38 AM
Daniel,
I'm somewhat familiar with your booth, but as Scott stated you need someone that knows interlocking to come in an figure out how the film path needs to be threaded, and then train you on how to properly thread the interlock without damaging film. Interlock rollers are installed on a case-by-case basis depending on booth layout, platter type, and the preference of the installer. There is no generic way to tell you how to thread it without seeing your physical roller setup.
There's a few key points in interlocking:
1: Film will bypass the takeup portion of the platter on it's way to the next screen (unless you are using the takeup mechanism as an accumulator for slack film.
2: You must thread the last machine in the chain first, and work your way back to the house that the print is originating from to allow for pulling of slack.
3: After all machines are threaded and triple-checked for threading errors, set the accumulators to the proper level for proper tension/slack to allow for minor differences in startup speed.
4: Cue the print accordingly. In the TA-10 case, you must put a "show close" cue at the beginning of the first trailer in order to initiate the show when the TA-10's are in interlock mode.
Bottom line: Contact a former employee familiar with the interlock setup, or get in touch with American Cinema Equipment in Portland, OR (who did your install) to provide assistance with the interlock threading procedure. Your system is fully capable of interlock, but without proper training, you will risk damaging film. Worst case scenario is that you will bring down multiple houses due to one mistake, and then have to deal with MANY angry customers.
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