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This topic comprises 2 pages: 1 2
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Topic: DVD - 35MM
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Frank Angel
Film God
Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 12-10-2007 04:08 AM
Unless I am misunderstanding you, you are working in a theatre that has 35mm projection equipment but also runs DVD projection? If that actually is the case, then, why not just book 35mm film instead of showing a DVD? Just book the title from the 35mm distributor and run that. It will be a lot cheaper than trying to copy DVDs (which as Mike rightly points out, is very, VERY illegal and something which Hollywood studios consider worse than terrorism and so act upon it accordingly).
If this is not a commercial theatre, you can still book 35mm prints from non-theatrical distributors. Here in the states and Canada we have Swank Motion Pictures that handle most studio releases. I would assume there is some equivelant in the UK. Where do you book your DVDs? At least over here, whether you are booking a DVD. a 16mm or 35mm print from the non-theatrical distributor, the rental is the same, usually between $300 - $500 for titles a few years old and up to $1000 with near-current releases. The rental is the same because you are actually paying for the license to exhibit. 35mm will cost more due to the added shipping cost of the heavy print, but the licensing fee is the same.
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Scott Norwood
Film God
Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
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posted 12-10-2007 03:05 PM
Why not just book films in 35mm?
DVD is a really crappy presentation format and you can look forward to lots of on-screen menus, unskippable trailers, region-coded disks, subtitles and/or soundtracks that need to be selected at start time, menus that don't work, poorly authored disks that look like crap, disks that don't play, disks that play halfway and then stop, and cheap players that fail at the worst times.
For public exhibition of material available only on video, you would be better off getting the material in a more reliable professional format. Digi-Beta and HDCAM seem to be the most popular such formats at this time, at least in the US for festival screenings and such. Figure $10k-40k for the plaback deck. You will also need a good 3-chip DLP projector and maybe a scaler; by the time you are done, the cost will far exceed that of a new 35mm setup (to say nothing of used).
Trust me: if you're going to show video, DVD is just about the bottom of the barrel in reliability (even VHS is better) and quality.
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Leo Enticknap
Film God
Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 12-10-2007 04:46 PM
I can't understand why anyone would want to transfer from DVD onto 35mm, unless, just possibly, it was for long-term preservation purposes (e.g. you just happened to be present when Gordon Brown was assassinated, holding your DVD camcorder, a la Zapruder).
If you want 35mm for screening, then as everyone else has said, just book a 35mm print from a distributor. If you're an independent cinema or film society which is too small for the distributors to deal with you directly, there are several booking agencies through which you can work, e.g. Troy. If you want to legally book a recent mainstream feature film on DVD for a theatrical or group screening, e.g. in a lecture theatre or pub which has DVD screening facilities but not film, then that can be done, too. For example, Filmbank, which used to be the main distributor of 16mm Hollywood features for non-theatrical screenings in the UK, will now license DVD screenings. Their DVDs are specially authored with a high bitrate and no menus, warning notices or North Korean subtitles you can't get rid of which, as Scott points out, can be a presentation hazard when attempting to screen a retail DVD.
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