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Author
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Topic: 70mm in London.
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 06-04-2008 05:28 AM
Yes, 'Doctor Zhivago' was shot on 35mm anamorphic. There used to be some very good 70mm blow-up prints of it at one time, but I'm guessing that either those no longer exist, or more recent 35mm prints are in better condition; I don't think any new 70mm ones have been made for a long time.
I haven't been up in the box at the NFT for years. The last time I was there the Vic.8s were still using the old xenon-converted Kalee President lamphouses which had been taken off the Kalee 21s which used to face the other way, into what was the old NFT3, now an office, I think. These were due to be replaced by new lamps within a few days. At that time the sound was CP-200 with all of the options; I think I heard somewhere that this has now been replaced. Is this the case, and what are they using now. They had SR-D and DTS, but I don't think they had the 70mm timecode readers then. The 16mm machines were Philips clover-leaf double band, though the sound side was disused in favour of dual gauge Maga-Tech followers anre these still there?
Where have they installed the digital; is it in the main box, or in the new one underneath, where the video projector was?
I don't often have time to get up to the NFT these days, though I am a member again now, I haven't been there since the documentary season in September (I think) last year. I seldom go to NFT1 anyway, most of the films I want to see are in NFT2.
I've never seen 'Ryan's Daughter', I think I'll try to get there, I probably won't get another chance to see it in 70mm.
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