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Topic: Any one out there use Horizon Equipment? What do you think of it?
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Sean McKinnon
Phenomenal Film Handler
Posts: 1712
From: Peabody Massachusetts
Registered: Sep 2000
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posted 09-11-2008 07:51 PM
Andrew,
I applaud your bravery, mechanical know how, and willingness to tackle new things. However, there is a lot involved in being a cinema tech. You NEED to be an expert in electrical, Electronics, Mechanics, Sound, Sound, Light, Optics, SMPTE guidelines, Dolby guidelines, as well as an expert projectionist to begin with.
I would highly reccomend that your bosses spend the money to hire a qualified technician as you will be chasing your tail trying to learn and put out the fires. In the meantime your customers will never be getting the on screen product they are paying for.
I am not trying to be harsh or discourage you. I am just telling you the honest truth. Definately watch your tech, and ask questions, and read this site everyday, read ANY and ALL the equipment manuals you can find (including everyone in the manuals warehouse here).
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Brian Guckian
Jedi Master Film Handler
Posts: 594
From: Dublin, Ireland
Registered: Apr 2003
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posted 09-13-2008 08:00 PM
Try these links:
Harbin Film Machinery Plant
Horizon 5565 Projector
(Referred to as Songhuajiang 5565 Film Projector on their webpage)
quote: Andrew Bangs I guess I never realized that old reflectors were metal however I might like to go that way as we have already had to replace a few reflectors, from what I have been told, due to cracking under the heat. That primarily due to some idjiot not turning on the exhaust fans when powering up and running the units.
But of course that's a problem with lack of extraction, not with the design of the lamphouse.
These machines can't in any way be as bad as they're made out to be, after all, as Richard has pointed out above, they're made under specification for American manufacturers and this is a long-standing Chinese projector manufacturer.
What sort of maintenance issues are you having Andrew? Also, are the machines belt, gear or chain driven? Just curious, and sorry to hear you've been having problems.
[EDIT: Reference to webpage shows some of their models have conical shutters, curved gates and water cooling]
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Monte L Fullmer
Film God
Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 09-13-2008 09:28 PM
What I visually noticed on these machines when I examined them at Showest, was machine surfaces far from being "up to calibre" compared to what we have in our cinemas now.
So many poor castings and metal stampwork was horribly noticable. Sprockets were not machined out from raw stock, but looked like they were stamped, or forged then cut out from a rather poor follower.
The oil bath transmission is real close to the XL, but I didn't like the shutter driver gear assembly even though it had the correct form of bevel/spiral gearsets, but teeth pitch was way too fine in my book compared to the XL gear pitch plus the smaller diameter which would require more torque to turn the shaft. I can easily see major failures if that machine ever had to stop quickly or suddenly.
I don't mean to pick on or be critical on this equipment, but in a way I can see where these units would benefit and that would be in a small house that didn't see continual operations on a daily basis as does our mainstream complexes goes through. Or, in a home theatre atmosphere. Or in a small traveling venue of sorts where, once again, occasional usage would be the norm.
..just my .03 on this one ...
-Monte [ 09-13-2008, 10:46 PM: Message edited by: Monte L Fullmer ]
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