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This topic comprises 2 pages: 1 2
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Topic: 70mm projectors in Poland.
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 12-21-2008 04:44 AM
And was also used 'in reverse' with a film camera for film recording. Take a look here:
web page
Also, follow the link on that page to 'Telerecording at Lime Grove'
Used for its recording function the Mechau survived for a long time; it was still being used in 1953 when some of the recordings of the coronation were made on it. I think it probably lasted until the introduction of stored frame recording equipment. Although replaced earlier in its telecine function some BBC staff still referred to telecine as 'Mechau' long after the actual machines were long gone and Cintel flying spot was the normal equipment. I certainly herd the term used when I wisited BBC Television Centre in the early '70s.
The rest of the bbctv-ap.co.uk site was also worth seeing, but sadly disappeared some time ago. Much of it has since been recreated from archived material. (Lots of pictures of Mechaus there Tony)
web page
Anybody who remembers the 'Elephant's foot' version of the Kalee 21 projector will find the design of the original Cintel flying spot telecine rather familiar; Kalee, along with Cintel, Odeon Cincmas and Strand Lighting, was part of Rank at that time.
Cintel telecine
The three 'Quatermass' films were released on DVD a few years ago. They are technically interesting because the three episodes were film-recorded using three different systems, the Mechau, a suppressed-frame (surely it should have been called suppressed field?) system, and a stored frame system. It's available from
Amazon
Remembering that the original video was only 405 lines to start with, the stored frame system was a major advance over the suppressed field. [ 12-21-2008, 06:34 AM: Message edited by: Stephen Furley ]
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 12-22-2008 05:41 PM
Tony,
There are two generations each of telecine and film recording use on that site. The 'Flying Spot Mechau' at the top of the page I linked to, and the 'Moye-Mechau' recorder on the 'Telerecording at Lime Grove' page are the second generation, and probably less interesting to you if you want to see what it looked like as a cinema projector. As far as I can see the pair of telecine machines with the engineer crouching down next to one of them is in pretty much original condition, except that for cinema use they would have had a larger lamphouse with an arc lamp. The long horizontal tube connecting the Mechau to what seems to be a standard 1930s Emitron studio camera was obviously added for telecine use, but the curved part that it connects to on the Mechau, above the angled mirror drum, is original, and contained a fixed mirror via which the beam was directed towards the screen. The 'lump' on the camera below the lens housed the neck of the tube, containing the electron gun. These cameras were obsolete for studio use by this time, but were still used for film transmission.
Some years ago the Projected Picture Trust (www.ppttrust.org) published an article on the Mechau in their magazine, with pictures and a description of how it worked. It's quite complicated, not just a simple mirror drum , the mirrors moved as they rotated. It might be possible to obtain a photocopy from them.
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