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Topic: DTS Europe - another nail in the coffin!
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Daniel Schulz
Master Film Handler
Posts: 387
From: Los Angeles, CA USA
Registered: Sep 2003
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posted 05-15-2009 05:30 PM
Hi all,
Just to clarify on what was obviously a poorly-worded email out of one of our offices:
Standard practice 'round the globe is for discs to ship with the film prints to cinemas. If a print that is meant to be carrying a DTS soundtrack is missing the disc, the first call should be to the film distribution company (ie DFS or Technicolor in the USA, Perivale or MPD in the UK). If the film depots are unresponsive then by all means contact DTS Europe or DTS in LA so that we can address these issues with the film distributors.
I take John's point that in the repertory world the prints are often missing discs (due to the previous recipient of the print not putting the disc back in the can), and the depots often don't carry inventory for back catalog titles. By all means for repertory titles please contact the appropriate DTS office.
However, for first run films we need to work through the film depots. The distributors of the films are meant to be paying for the soundtrack discs and their shipping costs, and DTS are supplying the discs to the appropriate film shippers (again, DFS and TCD in the US, Perivale and MPD in the UK). When there are disc distribution problems in these territories we need to make sure they are addressed at the shipper level.
I would like to reiterate that we want to help cinemas any way we can to make sure they are able to present their films with DTS Digital Sound.
Kind regards,
Daniel Schulz
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Jack Ondracek
Film God
Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002
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posted 05-16-2009 02:19 AM
As with other parts of this business, the quality of "after the break" prints you get can be a matter of your relationship with the depot.
Once our local DFS outlet realized they could send our prints anywhere, they made a point not to send us prints from theatres that don't take care of them.
As a result, I receive very few prints that don't have the DTS disks in them. Technicolor has improved a lot in the past year or so, too.
On the few occasions that DTS hasn't been in the cans, I've been able to call another theatre in my market and dupe theirs.
Some of these options might not be available to a shift employee, but they seem to be areas where you can influence some inprovement.
Past that, I'd have to say that our DTS systems have been as good here as Dolby. Both have their strengths and weaknesses, and there have been times when each has worked when the other hasn't for one reason or another.
In my market there's a 10-plex that was under construction when Regal bought Act III. All 10 projectors have SR-D. In addition, 5 have DTS, and the other 5 have SDDS, giving each screen 3 possible sources. Only one of these systems has literally never been used. Guess which!
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