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This topic comprises 2 pages: 1 2
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Author
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Topic: DMA8 audio dropouts noise
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 12-27-2009 05:23 AM
Is this the original DMA8, or the DMA8 Plus? I've only used the Plus.
The Plus has an LED for each digital input which shows that a valid input signal is being received on that input; strictly speaking, I think it indicates that the DMA is seeing a valid clock on that input. I'm not sure if the original DMA8 also had these. If your DMA has these LEDs, what state is the one for the optical input in when you get the noise, and when the sound drops out?
I don't know anything about the receiver; does it have a co-ax S-PDIF output in addition to the optical one? If it does, you could try connecting this to the DMA8. The original model has a co/ax S-PDIF input, the Plus does not, but it has two AES3id 75 Ohm inputs on BNC sockets, Digital 2 and 3. While the Voltage levels, and some of the metadata are not strictly correct, these inputs will accept a S-PDIF signal via a simple plug adapter. If your receiver doesn't have a co/ax output you could provide one via an optical to co-ax adapter; they're not expensive, and you might be ale to borrow one from somebody.
I think it's unlikely to be the optical cabling that's at fault; if it was then it would be likely to just stop working permanently, and certainly not come back just by selecting a different input on the DMA. Some people do claim that Toslink optical is unreliable, but I've never had problems with it. You're not running it through a long cable, are you? The very large diameter plastic fibre is only suitable for short distances, ~10 metres or so.
How long does the noise last before the sound drops out, and when you have the noise can you still hear the sound as well, or can you only hear noise? If you can still hear the sound as well then this is a pretty strong indication that the fault is with the DMA.
Do you have anything else with an optical output on it that you could try playing through the DMA?
I would say that the most likely cause of the fault is the DMA, followed by the receiver, with the cabling least likely.
Hordur,
I've just noticed that this is your first post. Welcome, merry Christmas and a happy new year.
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 12-27-2009 10:42 AM
I am unclear as to what this 'optical magnifier' box is; is this some sort of repeater to extend the length of the cable? If so, how long are the cables on each side of it?
Has this worked ok in the past, or have you always had this problem?
Try a short cable and see if this makes any difference, it's easy to do, and doesn't take long. If you could still hear the sound, along with the noise, then it would indicate that the digital signal was getting to the DMA, and being decoded, and that the fault was after this, but since you are not hearing the sound, then the fault could possibly be in the receiver, the cable or the DMA. Are you using any of the other inputs on the DMA for anything, and if so, are you having any problems when using these inputs?
20 m is rather longer than Toslink optical interface is designed for, though I have seen cables of this length. If the 'magnifier' is some sort of repeater then it should work, but some of these devices do not seem to be of very high quality. If it is simply a coupler, joining two cables together, then I think you may well get problems, due to the length of cable, plus the join between them.
If a short cable cures the problem then I would suggest either permanently re-locating the receiver closer to the DMA, or installing an optical to co-ax converter close to the receiver, and then a length of good quality co-ax cable from there to the DMA.
If you still get the fault with a short cable, which has been tested with other equipment, and known to be good, then it sounds like you might have a faulty DMA. Test with some other equipment connected to the optical input if possible.
The fact that switching inputs, and then going back to optical clears the problem does tend to point to a DMA fault, but I think it's also possible that the DMA is receiving a poor signal, but is just about able to decode it. If however the signal gets slightly worse for a moment then the DMA may lose its clock from the signal, and not be able to decode it correctly, which might produce random noise until the DMA detected what had happened, and muted the signal. It's a pity that the original DMA doesn't have a valid clock indicator on the inputs.
Once the sound has cut out does it stay that way, or does it come back after a while if you don't do anything?
What format is the sound in, is it simple 2-channel PCM stereo, or multi-channel Dolby Digital or Dolby E?
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 12-27-2009 03:01 PM
I just tried sending a signal over a long Toslink cable; I have one 10 metre cable and three 4 metre ones, all of good quality. A 4 metre cable joined to the 10 metre one with a passive coupler worked, a 10 metre coupled to two 4 metres didn't, and neither did three 4 metre cables coupled together.
I'm still not clear what Hordur's 'Digital magnifier box' is, whether it's a repeater, or just a passive coupler. If it's just a coupler then I think it may well cause problems; my signal certainly didn't like going through two couplers. If it is a repeater, and it's close to the centre of the cable, then it ought to work, but I've had bad experiences with these devices, though never with just a single length of optical cable, either 4 metre or 10 metre.
I would be inclined to avoid the use of Toslink fibre cables over this distance, even it the present fault does turn out to be elsewhere. There's a lot of optical dispersion and attenuation in this plastic fibre. Even if it works now, with a bit off fall-off in emitter output, or an increase in attenuation of the fibre as the equipment ages, it might not work in the future. This is taking the use of such fibre close to its limits.
The effect that I get with the long coupled cable is not the same as Hordur is getting, but I'm not going into a DMA8. I have used the optical input on a DMA8 Plus in the past, but only with a 4 metre cable. What I hear is nothing most of the time. With the 10 metre and 4 metre cables and one coupler I occasionally get a brief burst of sound, and then nothing again. With the three 4 m cables and two couplers I cannot get it to work at all.
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 12-28-2009 06:20 AM
Last year I went to a cinema, and after the show went up to the box to see the chief. I hadn't been up there since the digital equipment was installed. They were also running live shows, but I don't think it was Met. Opera. Sitting on top of some other equipment was the receiver which had been installed as part of the package. It was a horrible thing, flimsy plastic case which didn't even fit together very well, poor quality connectors, d.c. power input socket with a plug which was so loose that it fell out if you knocked it. Only outputs offered were HDMI, Toslink and a SCART, which presumably carried a SD output. There was a power on/off button, which felt like it would break at any time, and all other functions could only be accessed via an IR remote control, No RS-232, 422 or 485, or even connections for control by dry contacts. It was connected by some of the nastiest cables that I've ever seen, which presumably came with it.
We have a similar problem at the college, where some of the older ceiling-mounted video projectors in classrooms, and also the signal sources in a language lab have no remote control inputs, and are controlled by an IR LED stuck onto the front panel, and which generally falls off after a few months. We are now using a different installer, which provides a much better system.
Contrast this with the other equipment installed in the cinema, Kinoton 35mm, old but still good, Irem rectifier, Fumeo 16mm, digital cinema projector, Christie Cine-IPM 2k, Dolby CP-65, decent amps, good quality D-A converter, though it wasn't a Dolby DMA. All decent kit, so why the horrible receiver? 'It is what was supplied with he package' was the answer which was given.
It seems to me that some of the equipment being supplied to cinemas for these live shows is not really fit for its purpose, and (I hate to use this word, and have avoided it before but I will use it now) something more 'professional' should be installed. Something where you don't lose power if you touch it, which isn't about to fall to bits, which is safe, which can be controlled by standard interfaces, which provides outputs which can go a reasonable distance on decent quality connectors, and if it can be rack mounted, so much the better.
The Toslink repeater which Hordur is using also seems barely fit for its purpose, though we don't know yet if that is part of the cause of his problems, and his receiver is somewhat lacking in outputs; why no AES, or at least co-ax S/P-DIF, which given that he has the original DMA8 might be better in his case, outputs?
Nobody would think it reasonable to supply a cinema with $50 Radio Shack speakers, so why do they supply such poor quality receivers as the one which I saw? Is nothing better available? Is it because most cinemas are unfamiliar with this sort of equipment, and basically don't know what they are getting?
Any comments?
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Stephen Furley
Film God
Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002
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posted 12-29-2009 05:50 AM
When Maplin first started they were quite good, certainly far better than Tandy (Radio Shack). However, since the demise of the latter in the UK Maplin have really gone downhill. Actually, they're not so bad if you order from them by post, but that brings in the problem that I'm not at home when the post comes. The shops however are almost totally useless, and if you leave out the 'almost', that would be a fair description of many, possibly most, of their staff. There are exceptions; I was recently served in one of their shops by an Indian lady, significantly older than their typical staff, who was very good, but sadly she's the exception.
Apart from the fact that most of the staff are useless, the shops seem to keep hardly anything in stock, other than disco equipment and gimicky items. If you're looking for components, forget it. Last year I needed some small PCB mounting relays, six of them. After visiting several branches I finally found one that had some in stock, two of them. The young man behind the counter said he could order me some, or there was another branch, far away, and difficult to reach by public transport which also had one. He said he could order me another two. I told him that I needed another four. He couldn't order that many; it was higher than his stock level. I pointed out that he wasn't putting them into stock, he was selling them to me, but he insisted that he couldn't order that many. These things cost about 60 pence each, and are about 18x8x5 mm; hardly something that it's difficult to keep in stock. I tried another branch, who had none in stock, but said they could order six, but didn't know when they would be in. Two weeks later they still hadn't arrived, so I canceled the order, and ordered them on-line; they arrived the next day.
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