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Topic: Stupid Question- Is Non-Sync in stereo or mono?
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Scott Norwood
Film God
Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
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posted 09-02-2010 09:05 AM
The CP65 has two non-sync formats.
One of these formats plays through left/right (and, optionally, surround; this is set with a jumper and the surround level is set with a gain pot). This is intended for walk-in music.
The one that you want for video does full L/C/R/S decoding. To make the non-sync button on the front panel select this format, you need to set the NS jumper to 2:4 (as Gordon indicates). Also, if the wake-up format is non-sync, then you need to change that jumper to NS 2:4 as well (otherwise, you would have to hit the non-sync button once after cycling the power to put the processor in the correct format). The NS surround on/off jumper does nothing for the NS 2:4 format.
What I ended up doing for my screening room setup is connecting two momentary-contact pushbuttons to the automation connector on the back of the processor, which has terminals for each format. That way, the operator can select either the "music" non-sync format or the "video" non-sync format without having to remove cards and change jumper settings.
For Mike: assign format 75 to one of the buttons on the front of the CP650. This will accomplish the same thing. Better yet, if you have the EX card, use the digital input and format 80. The only potential issue with using the digital format is that some disks are authored to be left/right only; when using the digital input, the center channel will not be derived, and dialogue can sound weird when coming from two places instead of one. For those disks, you would probably be better off with the analog input.
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Scott Norwood
Film God
Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
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posted 09-02-2010 02:02 PM
Brad--please post that! Dolby said that it couldn't be done, at least as of a year and a half ago (or so).
As an addendum to the above post: the non-sync input gain pots need to be set correctly in order for the dialogue to be properly decoded and reproduced in the center channel only. If you have a tape or disk with bars and tone on it, the easiest way to do this on the CP65 (or CP500) is to put the processor into NS 2:4 mode, play the 1kHz tone (typically recorded at -20dBFS on a digital format or 0vu on an analog format), and adjust the non-sync gain pots to center the meters on the cat. 222 (just like setting Dolby tone for film). The cat. 222 isn't actually in the signal path, but the meters are still active in non-sync mode. If the tape/disk is mixed and recorded properly, it should play at the same fader setting as a typical film print, and dialogue should be centered properly.
(Note that there is a somewhat rare version of the CP65 that is intended for mono operation only; with those units, the meters on the cat. 222 are not active in non-sync mode.)
I don't know if the CP650 has a similar way to set non-sync input levels, but I'm sure that someone else will post it if it does. This is not an issue when using the digital input.
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