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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Amp rack positions: top or bottom?

   
Author Topic: Amp rack positions: top or bottom?
David E. Nedrow
Master Film Handler

Posts: 368
From: Columbus, OH, USA
Registered: Oct 2008


 - posted 10-17-2010 08:55 PM      Profile for David E. Nedrow   Author's Homepage   Email David E. Nedrow   Send New Private Message       Edit/Delete Post 
We just moved a new sound rack into the booth and I'm going to start mounting equipment. We'll have a new USL sound processor, DTS XD10, SDDS unit, 5 amps, and a huge honking UPS I have leftover from my computer days.

Assuming the amps will put out the most heat -- haven't checked the specs yet -- should they be mounted up top? This rack does have a fan in the top pulling air through the unit. Having them in the top makes accessing the processors a little less convenient, but assuming they've been set up properly I shouldn't have to touch them very often.

My other option is to put all of the processors in the new, enclosed rack, along with LD, DVD, and Blu-Ray players, satellite box, etc. The I would mount the new amps in the old rack.

Or, just put the amps on the bottom with the processors on top in the new one.

Any guidance?

-David

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 10-17-2010 09:03 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
if i had a choice to separate the amps, that's what i'd do.

if u have a mixed rack -- one that contains your amps as well as your processors -- u want the amps on bottom for two reasons -- they're heavy so u want the center of gravity to be lower -- and also u want the processor and monitor, etc around eye-level since u handle those more in the course of a day -- the amps are turned on and left alone, so u dont really have a need to have them at operator-level

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 10-17-2010 09:21 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
So long as the amps and all the other equipment have sufficient air flow, I don't think it matters much.

Most amps I have seen, lately, have fans that draw air horizontally, across the components, usually in the front and out the back. Don't block the air ducts. Keep the filters clean. Don't let wires and junk pile up around the top and bottoms. Make sure the racks, themselves have enough air vents to let the air out. After that, I don't see much that will cause problems.

Assuming ventilation and cooling are taken care of I think you can let design considerations be the main factor in locating equipment.

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 10-17-2010 09:26 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
Avoid the bottom 7 inches of the rack for any use. That's where the dirt is and you don't want the amp-fans to inhale the sweepings. Louis

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Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 10-18-2010 01:11 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
I agree with Manny and Louis but you should leave room at the very bottom for the amps yet to come 9.1, 11.1, 13.1, 15.1.

Also, leave some room in the middle as well for the future.

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Richard Hamilton
Phenomenal Film Handler

Posts: 1341
From: Evansville, Indiana
Registered: Jan 2000


 - posted 10-18-2010 05:56 AM      Profile for Richard Hamilton   Email Richard Hamilton   Send New Private Message       Edit/Delete Post 
Here is a pic of a rack I did about 10 years ago, no problems with the amps. I was cramped for space and had to stack the amps. This is a planetarium and I had another small rack in the console at the back of the auditurium.

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Here is a typical rack layout that I did. The Dolby is placed at eye level.

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Rick

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 10-18-2010 06:00 AM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
yeah, i'd say that's about what i'm used to seeing -- where's that planetarium? -- i've never been to one

who's still using the fostex 24 track recorder?

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Richard Hamilton
Phenomenal Film Handler

Posts: 1341
From: Evansville, Indiana
Registered: Jan 2000


 - posted 10-18-2010 06:33 AM      Profile for Richard Hamilton   Email Richard Hamilton   Send New Private Message       Edit/Delete Post 
Manny, The planetarium is here . I know I've posted pics on here before. The other rack layout is at an amusement park in China. movie wonderland . I installed 3 systems there. They use the Fostex as the primary sound source. The soundtracks come on tape and are recorded onto the Fostex. The Tascam is used as a back-up if needed. They chase timecode generated by the projector. These are all MegaSystems 8/70 projectors.

Rick

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Samuel Hynds
Film Handler

Posts: 50
From: Riverside, CA, USA
Registered: Aug 2004


 - posted 10-18-2010 10:43 AM      Profile for Samuel Hynds   Email Samuel Hynds   Send New Private Message       Edit/Delete Post 
Would put processor at eye level & amps below.

Just don't put the amplifiers on the UPS - it could starve the power supply when the sound track gets busy.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 10-18-2010 08:02 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
..UPS the processor instead since they do contain memory that could be erased on accident - which I've seen and done with CP500's.

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Tom Sauter
Expert Film Handler

Posts: 163
From: Buffalo, NY, USA
Registered: Sep 2000


 - posted 10-19-2010 10:53 AM      Profile for Tom Sauter   Author's Homepage   Email Tom Sauter   Send New Private Message       Edit/Delete Post 
Amps at the bottom makes delivery and setup of prewired racks much less complicated as top-heavy racks can be dangerous to maneuver.

Heat dissipation is not just about where the devices are installed in a rack, its about proper airflow management.

Middle Atlantic has an excellent whitepaper on the topic

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 10-19-2010 11:51 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
One thing that I would like to see in more cinema racks is a power sequencer or other method to ensure that the amps are powered on last and powered down first. Older processors (at least CP50 and CP200) make nasty pops at powerup, which can easily blow speakers if the amps are powered up first.

As an operator, I generally prefer racks that are in this order (top to bottom):

- power distro/sequencer(s) (alternatively, this can live in the bottom space)
- CD player (for non-sync)
- DA20/DTS/SDDS unit
- cinema processor (at more-or-less eye/shoulder level)
- booth monitor
- mixer for guest inputs/microphones/etc.
- guest inputs
- other stuff that doesn't normally require operator attention (e.g. crossovers, microphone preamps, etc.)
- amps
- power distro/sequencer(s) (if not at top)

Having the processor at eye/shouler level is less necessary if remote boxes for format and fader setting are installed on the front wall of the booth (which almost no one does, for some reason). Conceptually, I prefer to have video stuff go in a separate rack from cinema sound equipment, but lots of installations seem to commingle the two systems. This will result in some messy-looking racks in a few years when the video equipment gets upgraded.

The only sound rack that I have wired from scratch is for my home system, and it consists mostly of scavenged equipment. It is semi-portable (it's a 20-space Anvil rack case with wheels), and the amps pretty much had to be at the bottom for stability. The exercise gave me an appreciation for the art involved in putting together a well-designed sound rack, with consideration given to electrical, mechanical, servicing, and human-factors issues.

Here's a shot from the picture gallery (we used this for a video setup at a festival):

 -

from top to bottom:

CD player
custom rack panel to toggle between decoded non-sync and L/R non-sync (for video)
processor
monitor
guest inputs/outputs
microphone preamp
amps

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Jeffry L. Johnson
Jedi Master Film Handler

Posts: 809
From: Cleveland, Ohio, USA
Registered: Apr 2000


 - posted 10-21-2010 12:26 PM      Profile for Jeffry L. Johnson   Author's Homepage   Email Jeffry L. Johnson   Send New Private Message       Edit/Delete Post 
If there's room place a filtered blower in the bottom, below the amplifiers.

McLean Cooling Technology standard packaged blower web page

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 10-21-2010 01:40 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
In wall mount racks i put the processor at the bottom since heat rises
in floor racks i put the amp s at the bottom with a signal path flowing down the rack
i also preferr fan cooled that is like QSC back to front so it doesn't heat up the interior of the rack

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