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This topic comprises 2 pages: 1 2
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Author
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Topic: JItter and ghost, shutter knob "racked"
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Tony Bandiera Jr
Film God
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Posts: 3067
From: Moreland Idaho
Registered: Apr 2004
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posted 03-06-2011 01:58 PM
Ok class, time for the Simplex XL shutter timing tutorial:
1: Remove sight box cover to access shutter hub and setscrews. 2: Set the shutter adjust knob to the middle of it's range. 3: Set the FRAME knob to mid-travel. (I'll explain why later.) 4: Loosen the shutter hub setscrews just enough to allow the shutter to turn with a good amount of drag on the shaft. It should NOT turn freely. 5: Now, using the hand incing knob or flywheel on the motor, carefully step the intermittent movement EXACTLY TWO sprocket teeth from the dwell (at-rest) position. 6: Holding on to the flywheel or inching knob so the mechanism can't move, CAREFULLY rotate the shutter so that one blade is EXACTLY centered over the aperture hole. 7: Tighten the shutter hub setscrews. If they are in a position that is not accessible (and IF you left them tight enough on the shaft so the shutter can't freewheel,)slowly turn the machine over by hand until you can get to the setscrews and tighten them up. Be careful not to rotate the shutter while doing this. 8: Turn the machine over by hand several frames then repeat step 5 and verify that the shutter's blade is still centered over the aperture area.
Now, why did I include step #3? Because the XL mechanism includes a shutter timing compensator for the varying positions of the frame knob, necessary since the intermittent sprocket physically rotates to change frame position. Setting it to mid-point (as well as the shutter adjust knob) will ensure that you have maximum ability to compensate for timing errors.
After doing all the above (which actually takes less time to do than it took to read), start the machine with no film.
From the NON-OPERATING SIDE, use a flashlight and watch the steel gear on the shutter drive assembly. As you turn the FRAME knob from one extreme to another, it should slide back and forth on the shaft SMOOTHLY with NO BOUNCING OR JERKING. If it bounces or jerks, the thrust spring in the shutter drive is bad and needs to be replaced. I offer rebuilt shutter drive assemblies on a repair-exchange basis.
In extreme cases of bad thrust springs, the bouncing of the shutter as it runs (especially with two-blade drive-in shutters) will result in travel ghosting on both the top AND bottom of bright images.
If the steel gear isn't bouncing around, then it is possible that, like Monte suggested, the fiber gear is worn or the vertical drive shaft is mis-aligned and causing slop.
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David E. Nedrow
Master Film Handler
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Posts: 368
From: Columbus, OH, USA
Registered: Oct 2008
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posted 03-06-2011 03:19 PM
The projector isn't any noisier than usual. In fact, it's a lot quieter than when I took over the place. It's amazing what removing rust from high rotational velocity pieces can make in the smooth operation of a machine.
Oil levels are fine. No brain wraps, since we don't run platters, but there is something similar with the spool towers, which HAS happened recently. Fortunately, I was in the booth when it happened. The jitter had been there prior to that, so I don't think it caused a problem.
I was about to verify the shutter timing, as suggested. It's probably the simplest thing to check first. Thanks for the other info, Tony, re: the shutter drive assembly.
-David
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David E. Nedrow
Master Film Handler
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Posts: 368
From: Columbus, OH, USA
Registered: Oct 2008
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posted 03-11-2011 06:40 PM
Monte, these are curved gate/steel band.
I believe that I now have the position of the shutter "perfect". I still have a ghosting issue at the very top and bottom of the frame. Nothing noticeable -- from the booth -- in the central portion of the image. Using the shutter adjust knob, I can transfer the ghosting from top to bottom, and vice versa, but can not get rid of it. I can get an even amount of ghosting at the top and bottom of the screen if I "center" the shutter adjust knob.
So, thinking about how this all works mechanically, if I have ghosting descending from high contrast material at the top of the screen, and ghosting ascending from similar material at the bottom of the screen, that would seem to indicate to me that the angle at which the shutter is set is too large. This is a standard two-bladed adjustable shutter.
Am I correct in my thinking, in that all I should have to do now is decrease the angle of the shutter until the ghosting disappears?
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David E. Nedrow
Master Film Handler
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Posts: 368
From: Columbus, OH, USA
Registered: Oct 2008
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posted 03-12-2011 12:10 AM
Tony, thanks for confirming. Theoretically, this -- shutter angle --would not need changed after the initial setup, am I correct? If so, the shutter either wasn't properly set to begin with, or was diddled with later.
Given who ran this place before, I can easily see a conversation along the following lines:
Owner: "Hey, some guy told me we could get more light on the screen if we open the shutter more."
Employee: "Umm, but that would mean a bunch of ghosting on the screen."
Owner: "They won't notice it with all the extra light. Besides, where else are they going to go to see these types of movies. Give me that screwdriver. Where IS the shutter?"
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