Author
|
Topic: elevator music...
|
|
|
David E. Nedrow
Master Film Handler
Posts: 368
From: Columbus, OH, USA
Registered: Oct 2008
|
posted 05-14-2011 03:17 PM
We use an original AppleTV. With the original ATV, the media is stored on the box itself. Even better, we control it via our iPhones.
There are a number of media boxes out there that can play just about every digital format you'll run across.
I've got a system I'll be replacing the ATV with. It's built around VLC and I'm writing an iPhone interface to manage it. The same machine will handle kicking off the automation, switching video inputs, etc.
Oh, but you need licensing before you can play most music. At the minimum, you'll need ASCAP and BMI licenses. That'll cover 90% of what you're likely to play.
Another theatre in town here didn't get licenses, and got pinged by ASCAP for something like $3,000. The licensing cost itself varies with the venue size. For theatres, it's usually the total number of seats.
| IP: Logged
|
|
|
|
|
|
|
|
|
Scott Norwood
Film God
Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
|
posted 05-14-2011 09:20 PM
Are the Seeburg recordings PD? If so, could someone post WAV files of them?
As for non-sync, I used CDs for years. Lately, I've been using losslessly compressed files an Ipod that I use only for non-sync music (my home listening is CDs and vinyl; in the car, I mostly listen to news). The Ipod is easier to carry around to different venues than a stack of CDs. (Of course, I now need to carry an assortment of 1/8" mini-phone to RCA, 1/4", and XLR adapter cables....)
For non-sync music, I tend to favor a mix of movie soundtracks, jazz, classical piano recordings, and vintage production music. The exact selection depends on the film and the venue, but the common theme is that it has to be background music which does not have a wide dynamic range or call too much attention to itself. I don't generally play anything with vocals.
| IP: Logged
|
|
|
|
|
|