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Author
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Topic: List of post-2000 NON-DI films
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Julian Antos
Film Handler
Posts: 76
From: Chicago, IL, USA
Registered: Nov 2009
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posted 06-03-2014 12:33 PM
Hi all,
Trying to create a list of films made after O BROTHER WHERE ART THOU that were finished without a DI. Trying to limit this to films where DI would be considered a "normal" workflow (so no Bollywood or experimental films). If a film used DI for some effects shots but not the whole film, that counts too.
Here's what we've come up with so far, corrections and additions welcome!:
2001 ARTIFICIAL INTELLIGENCE: AI (Steven Spielberg, 2001) unconfirmed THE CURSE OF THE JADE SCORPION* (Woody Allen, 2001) MOULIN ROUGE (Baz Luhrmann, 2001) unconfirmed TROUBLE EVERY DAY (Claire Denis, 2001)
2002 FRIDAY NIGHT (Claire Denis, 2002) HOLLYWOOD ENDING (Woody Allen, 2002) INSOMNIA (Christopher Nolan, 2002) LAUREL CANYON (Lisa Cholodenko, 2002) MINORITY REPORT (Steven Spielberg, 2002) unconfirmed PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)
2003 ANYTHING ELSE (Woody Allen, 2003) MYSTIC RIVER (Clint Eastwood, 2003)
2004 INTRUDER, THE (Claire Denis, 2004) MELINDA AND MELINDA (Woody Allen, 2004) MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed
2005 BATMAN BEGINS (Christopher Nolan, 2005)IMAX Prints went through DMR for 35mm scenes BROKEBACK MOUNTAIN (Ang Lee, 2005) Release prints on Fuji stock MATCH POINT (Woody Allen, 2005)
2006 SCOOP (Woody Allen, 2006)
2007 CASSANDRA'S DREAM (Woody Allen, 2007) THERE WILL BE BLOOD (Paul Thomas Anderson, 2007)
2008 VICKY CRISTINA BARCELONA (Woody Allen, 2008)
2009 DARK KNIGHT, THE (Christopher Nolan, 2008) IMAX Prints went through DMR fr 35mm scenes WHATEVER WORKS (Woody Allen, 2009)
2010 YOU WILL MEET A TALL DARK STRANGER (Woody Allen, 2010)
2012 DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI
2014 TRANSCENDENCE (Wally Pfister, 2014)
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Connor Wilson
Expert Film Handler
Posts: 190
From: Sterling, VA, USA
Registered: Jan 2011
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posted 06-03-2014 08:01 PM
I consider MUNICH (Steven Spielberg, 2005) to be another addition as it was edited on a Moviola. I don't think Spielberg ever opted for a digital intermediate until INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL (2008).
I may have heard the 35mm prints of DJANGO UNCHAINED (Quentin Tarantino, 2012) didn't use a DI, but the DCP version did.
I like the gain of resolution a movie shot on celluloid has when ignoring the DI process, yet sacrificing the wondrous tech of digital coloring. THE DARK KNIGHT RISES looked fantastic in 15/70, as well as 35mm, but the 35mm scenes looked better on the 35mm prints. While the IMAX scenes on a 15/70 print are yet to be surpassed in clarity, they shrunk down nicely on the 35mm print. It possibly has to be the best 35mm print I ever saw, especially coming from the digital age.
THE MASTER in 70mm was the best looking movie I saw in that format, although it was partially shot in 35mm. But that is not saying a lot since the only other 70mm movie I saw was 2001 A Space Odyssey, which still was outstanding, but some of the elements have degraded.
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