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Topic: Film treatment
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Randy Stankey
Film God
Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 06-28-2018 08:08 PM
quote: Brad Miller I have heard satisfied people who have used it on private films that were dry and brittle to help relax the film so it was runnable. FilmGuard will offer that benefit too
Years ago, I had to run an old, brittle print of "Fantom of the Opera" (1925) that practically crumbled like a cracker when you handled it. It was the only print of the original movie we could get and tickets had already been sold so this was a "do or die" moment.
I gave it a liberal hand-treatment of FilmGuard...about a half a bottle...and let it sit for a day. Then I gave it a test run through the projector with the Kelmar cleaner in place...again, liberally soaked in FilmGuard...and let it sit for a while longer.
When the time came to rehearse the orchestra, I was practically shitting my pants as I started the projector (an old, straight gate Simplex PR-1003) but the print ran well!
The orchestra conductor decided to rehearse again, at the last minute, so I ran it with cleaner pads that were almost dry. It ran even better.
Later that evening, about six hours later, the curtain went up... Yes! We used the curtains! The film played flawlessly, with hardly a jitter or clatter!
From that day forward, I never ran a piece of film without FilmGuard.
Even in the place where I formerly worked that enacted a blanket ban on FilmGuard, I smuggled the stuff in and treated the prints late at night when nobody else was around.
I never tried Vitafilm, basically because, with FilmGuard, I never had a reason to use it.
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