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Topic: Carnivale
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 01-18-2005 11:25 AM
quote: Greg Mueller I don't know if the production methods for DVDs are getting better or it's because Carnivale was "filmed" in HD, but the detail of the "Season One" (of Carnivale) collection is striking.
Carnivale owes its unique "look" and quality to great cinematography using FILM!:
"Carnivale Cinematography"
quote: Jur composes the show in Super 35, protecting for the 16:9 HD frame. Most exteriors are shot on Eastman EXR 100T 5248 film with occasional use of the 250-speed Kodak Vision 5246 daylight film. He shoots 320-speed Kodak Vision 5277 tungsten for most interior scenes. “We tested the 320 stock and pushed the contrast,” he says. “We wanted the highlights to blow out, to go to a beautiful warm white tone. It has a grainier, more photographic structure that works for this story. There’s so much detail that can come through in telecine. I usually end up just lighting by eye, making sure the balance is right.”
"Carnivale" Credits
quote: Carnivale
• Producer: HBO
• Creator: Daniel Knauf
• DPs: Jeff Jur, Tami Reiker, and James M. Glennon
• Postproduction: Encore Hollywood
• Final Colorist: Pankaj Bajpai
ASC Awards
quote: Tami Reiker, Jeff Jur, ASC and Pierre Gill, CSC claimed ASC Outstanding Achievement Awards in the television competitions. Reiker won the cable award for the Carnivale pilot, which aired on Home Box Office. Jur took top honors for "Pick a Number," an episode of Carnivale.
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