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This topic comprises 2 pages: 1 2
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Topic: GODFATHER and a few other BDs are wonderful!
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Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 06-05-2009 10:08 PM
Regarding subtitles, I find it pretty strange certain options on how subtitles are displayed weren't incorporated into Blu-ray (and HD-DVD) from the start.
Particularly with Java technology, it shouldn't be too difficult for the movie to use scalable vector-based fonts so the user can both vary the placement of the subtitles and the size of the subtitles.
I very much prefer subtitles to be displayed in the black bar area of any super-wide format movie, but I don't watch my movies via a video projector either. At any rate the issue with subtitles should NOT be handled only in a one way or the other way manner. CHOICE should be provided. Blu-ray can do that if the people developing the technology bother to do it.
Back to the original topic, I agree there is a growing number of "catalog" titles (older movies) on Blu-ray that do look great. When movie studios bother to spend the extra money it takes to use the most modern film scanning and digital intermediate methods it is possible for a movie half a century old to look almost like it was produced in recent years. The Searchers and South Pacific are two good examples of that.
On the other hand, there is no shortage of BD titles that have disappointing video quality. Simply put, too often old HD masters are being used as source material for new Blu-ray releases. It costs more money to mint a new master using the most modern film image acquisition equipment.
This situation is very similar to the early days of DVD. For that format's first couple of years movie studios often used old Laserdisc masters and cranked out not so hot looking non-anamorphic DVDs. Eventually the movie industry unanimously embraced the approach of using HD-quality masters and authoring anamorphic DVDs.
Some of those masters come from old style telecine systems where you just have what amounts to a film projector playing the movie in real time and projecting it into a HD video recording system. You're more likely to see dirt and debris with this approach. Sideweave and other image movement is common, especially in the opening and closing minutes (I don't know why this happens, but I've noticed it seems to occur more often at those points). Overall image focus is not quite 100% and can "breathe" further away from focus unless the projection system is in tip top shape and very well adjusted.
With the flaws of old telecine systems, they still produced great source material for anamorphic DVDs and highly compressed HD broadcast delivery. And that's because it's a lot more difficult to see the flaws when watching the movie on DVD or HD cable. But the flaws show up very well on Blu-ray.
Even with early "datacine" systems (film scanning methods), there was still room for the technology to mature toward improved quality.
Quite a few people are disappointed with the image quality of the new Terminator 2 "skynet edition" Blu-ray. I suspected the "director's approved" HD master had come from a telecine source, but an video industry fellow at Blu-ray.com told me a Spirit datacine system scanned the film. The HD master was produced over 6 years ago originally for the "Extreme Edition" DVD release in 2003. There's a pretty strong possibility the original source material is just kind of soft looking. Super35 can have that problem, especially Super35 material produced nearly 20 or more years ago.
Still, I have to wonder. How much better will Terminator 2 have looked if a brand new HD master was made? The newest datacine scanners certainly have to be a lot better than the ones introduced 6 or 7 years ago. Anyone want to buy a 6 year old computer or 6 year old D-SLR camera? Probably not since 6 year old computers and digital cameras totally suck compared to the new ones available now.
The positive side to all this is most Hollywood studios (with possibly the exception of Warner Bros. from time to time) understand the demands Blu-ray makes on the original source material. A lot of old movies are getting entirely new film scans and masters created. Lawrence of Arabia is one of those titles and may be available on Blu-ray within the next several months.
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Claude S. Ayakawa
Film God
Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002
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posted 06-06-2009 02:01 PM
Bobby,
Your post was a very interesting and I agree with everything you had said. Beside many new stuff like DOUBT, THE CURIOUS CASE OF BENJAMIN BUTTON and a few others, I have been replacing a few of my favorite movies I have on DVD with Blu Ray. In many cases, these catalog titles like the recent GREASE, ROXANNE,MRS DOUBTFIRE and many others could have been better but I have been more than pleased with them because the are so much better than the DVD.s Among these is the recent release of the first six STAR TRECK films in a box set. Only THE WRATH OF KHAN has been fully restored but the others were not but they still look great in my opinion. Another nice thing about many of these BD catalog titles is the improved sound especially when they feature full DTS bit rate sound. Yes, Warner Brothers does a nice job with their catalog titles such as the Stanley Kubrick films. I have THE SHINNING and CLOCKWORK ORANGE in Blu Ray and both are superb! I do not ever recall these films looking so wonderful even in the theatres when I saw them both at the Waikiki theatres. Other gorgeous WB release is the directors cut of TROY as well as HOW THE WEST WAS WON, and CASABLANCA. Fox's THE ROBE and SOUTH PACIFIC are also great and was wondering how the picture quality is with THE SAND PEBBLES. I have the two disc special edition of the movie on DVD and the picture quality of the 70mm road show version is very badly faded but the 35mm version is gorgeous.! Do you know if the BD features a newly scanned transfer or if the material from the DVD was ported over to BLu Ray?
-Claude
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Claude S. Ayakawa
Film God
Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002
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posted 07-09-2009 02:39 PM
A added a lot more Blu-Ray title to my collection since I started this thread and I am sill very amazed how wonderful high definition television is. Although movies on laserdiscs and DVDs looked very good on my excellent standard definition television set, the picture quality was never like watching it in a motion picture theatre. I hope I do not offend many of you in the motion picture exhibition business when I say the Blu-Ray picture quality I am now enjoying is just as good or even better than some recent movies I have seen in theatres. Part of the problem are the projection lenses used by many theatres that does not do what they are suppose to do by projecting and image that is vibrant with excellent contrast. On the other hand, I have become addicted to Blu-Ray because of the very fantastic picture and sound quality. One good example is Peter Yates 1977 Movie THE DEEP that just came out this week on BD starring Jacqueline Bisset and Nick Nolte. I thought the picture quality was going to look like "shit" despite the fact it was on Blu-Ray but I was wrong! I was just amazed when I saw the movie last night after I had rented it from Blockbuster. The picture quality looked like it was a brand new movie that made Ms. Bisset more enticing in her wet T shirt. Another BD movie I enjoyed was AN AMERICAN IN PARIS. I grew up watching movies shot in inhibition three strip Technicolor and still remember how striking the color was and no matter how hard they tried, IB Tech movies DVD and laserdiscs never looked as good as they did in theatres. With Blu-Ray, it comes very close. I am getting the 1938 ROBIN HOOD on Blu-Ray from AMazon today and I was told the color on that disc is superb! AMERICAN IN PARIS is a great movie and BD made watcing it a wonderful treat. So was GIGI, CASINO, THE DIARY OF ANN FRANK, THE MATRIX, THE SHINING, EYES WIDE SHUT, CLOCKWORK ORANGE, THE ROBE and so many others I had recently added to my collection.
-Claude
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