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Author
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Topic: I have rented CHE
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Mark Ogden
Jedi Master Film Handler
Posts: 943
From: Little Falls, N.J.
Registered: Jun 99
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posted 06-07-2009 04:35 AM
quote: Claude S. Ayakawa one of the first release from a film distribution company called IFC
Actually, IFC has been around awhile, they were behind My Big Fat Greek Wedding, Transamerica, Fahrenheit 9/11, Me And You And Everyone We Know, Y Tu Mama Tambien and quite a few others. They also operate the former Waverly Theater in New York's Greenwich Village as a three screen arthouse. They are owned by Cablevision and are a sister company to both Clearview Cinemas and the Independent Film Channel, which is available on many cable systems. They often play their releases on a VOD basis at the same time they are in theaters.
As far as the dual aspect ratio for Che, it was a stylistic decision by Soderberg. The first part of the film deals with Che's arrival in Cuba from Mexico and the revolution that toppled Batista, and is in scope. The second part deals with his journey to Boliva and his attempt to spread the revolution and . . . well, you know what happened. Soderberg stated that he switched to flat because he wanted to give that part of the film a more claustrophobic "boxed-in" feeling, since everything was going to hell. The whole color scheme changes too, as you will see. I agree with Mike, it was a move that works out well. If you saw the film in a theater all in one shot, as I did, then the switch to flat from scope is pretty unnerving, even after an intermission. I'm sure that was just the intention.
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Martin McCaffery
Film God
Posts: 2481
From: Montgomery, AL
Registered: Jun 99
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posted 06-08-2009 08:53 AM
Even seen in two parts, as we showed it, the change is striking. Pay attention, too, to the color differences. In Pt 1 the jungles are a lush, inviting green, whereas in Pt 2 the take on a a grayish, suffocating color.
Both parts actually stand alone well. And for an epic movie, it is surprisingly narrow focused on the (contextual) here and now, as opposed to the "big picture" you would expect from a war/political film, which it turns out Che is not.
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