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Author
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Topic: Slides go Digital Down Under
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Michael Barry
Jedi Master Film Handler
Posts: 584
From: Sydney, NSW, Australia
Registered: Nov 1999
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posted 03-02-2001 10:55 AM
I have been to the Burwood complex that Stephen is referring to! In fact, I live about 5-10 minutes drive away.It's an intriguing concept, to be sure - the client can have animations rather than just a static image. For example, an ad for a car dealership had the car drive off at the end of the ad. As far as quality is concerned, I strongly felt that the resolution was far lower than film slides and that the image looked very pixelated. Also, the colors took on an artificial look. All in all, it didn't even begin to approach the fine gradations, color quality and sharpness of real slides. The whole thing basically felt and looked 'cheap' rather than high-tech. It's good that new things are being tried but I was quite disappointed - although not really surprised - to see the results. The other thing about it is that it's not really a step towards getting people out of their house, which is the agenda that the theatrical exhibition industry ought to really be considering in the age of DVD and home theatre.
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Jerry Chase
Phenomenal Film Handler
Posts: 1068
From: Margate, FL, USA
Registered: Nov 2000
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posted 03-02-2001 02:01 PM
Scott, glass mounts are a PITA, expensive, and have their own set of problems. The standard cheap flat glass sandwiches are worthless. (IRRC, even Kodak made some of these.)Proper mounting _must_ be with anti-newton ring glass, and preferably registered. I used Wess slide mounts professionally for years. There is another company (GEPE?) that makes decent mounts. Personally, I loved the Wess mounts, but they only fit in 80 slide trays. The short life span bulbs in slide projectors used to get my goat. Has anyone made a retrofit micro xenon or halide bulb that will last longer? I see cars driving around now with headlights that beat most slide projector lamps. *News flash* Richard Fowler just emailed me that Telex has developed an Hmi slide projector which will be in his booth at ShoWest.....1710/12. If you are going to the show, would you please check this out and email me your comments? I've become tired of going to the shows and no longer make a point of attending.
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 03-07-2001 12:05 PM
One mistake many theatres make with slide projectors is to trying to fill the screen with a tungsten-halogen lamp projector designed for home or conference room use --- there just isn't enough light for even a 15 x 22 foot image. If you can't afford a projector that uses a xenon or metal arc lamp, opt for a smaller (but brighter) image by using a longer focal length lens. Avoid using zoom lenses, which are usually less efficient (less light on the screen) than a good prime lens.Although glass mounted slides hold the film flat (you should use a lens designed for the flat field, and not the curved field lens used for regular slides), the glass can trap moisture in the slide which is vaporized by the heat of high powered lamps, causing visible "amoebas" of moisture in the projected image. Also, most "curved field" slide projector lenses are designed for slides that have the emulsion towards the lens. If the slides have a non-standard base-to-lens orientation, they will not focus well, especially at high power. ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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