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Author
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Topic: Rocky Horror Digital
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Frank Angel
Film God
Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 08-24-2012 12:10 PM
quote: Mike Blakesley Heck, just book one of the crappy 35mm prints and then play the blu-ray.
Been there, done that. Sometimes in reverse. Many times I've booked a DVD from Swank (they charge the same as a 35mm print rental but still send you the Home Video version with the FBI warning and the menu and all the rest of the HV gack -- you would think for $500 buck rental they could cut a "theatrical" version with JUST the movie). Pay for the license to play the title and then arrange to play a collector's 35mm print.
These studio execs are hell bent on screwing the exhibitor and the public at the same time. They are not striking new prints of their classic libraries -- OK, we get it, they want to do away with film -- BUT, neither are they doing the costly work of making good transfers of those libraries because that costs money; it's not just a matter of putting a negative in a Rank-Cintel Flying Spot Scanner or a Davinci 8K Scanner and clicking the Record button. To do it correctly takes time, a team of video artists and even bringing in the director if he/she is still alive. Yah, they might make DCPs for their biggest tentpole titles in their libraries, but they are not going thru that expense for the bulk of their titles.
So for the embattled art house -- the only venue where the public can still see films in a theatre environment -- they are quickly loosing ground, EVEN if they have installed digital projection. When the existing prints that exist on a title, meager as the inventory may be, become unplayable due to wear and tear, for all practical purposes, that title is gone. Big screen public presentation of it is over, regardless of its historic value. Is a crime. This Fox thing, not at the very least allowing BluRay screening of a title which they cannot supply EITHER a 35mm print OR a DCP, is insane. They should loose the copyright for titles they cannot make available for public viewing. And by viewing, I don't mean on an freakin iPad.
Future generations may loose a good portion of our cinema heritage, at least being able to see it the way it was intended.
Remember the awe you felt when you saw LAWRENCE OF ARABIA or WEST SIDE STORY on a 60-70ft screen in 70mm? Our grand kids and great grand kids will never have that experience -- bad enough; but now they won't be able to see thousands of titles because there are not prints nor DCPs. Fox doesn't even HAVE a Classics Department anymore. These guys are not interested in anything that is more than a year old; they don't belong in the cinema business.
And BTW, this is aimed SOLELY at the few exhibitors -- art houses in particular -- who would program out-of-the-box and run something other than the top 10 current releases. Yet anyone who wants to rent a blow-up screen can run all the DVD & BR they want. Fox seems to WANT to kill the art house. They should find bed bugs in their beds.
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