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This topic comprises 2 pages: 1 2
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Topic: DOLBY DSS200 WITH TWO BARCO 23B MACHINES
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 05-11-2014 06:56 PM
I doubt your configuration is in anyway supported with the DSS200. In anyway, I would never use conflicting IPs in the same broadcast domain, even for standby equipment.
But, maybe I'm missing something here...
You bought not one, but two expensive 4K machines, yet you got just one server, which only is capable of playing 2K content. So, in your plan, the projector may fail, but the server cannot.
Why didn't you invest in a suitable IMB per projector and a central (maybe even redundant) storage solution if this redundancy is key to you?
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Fred Schoenfeld
Film Handler
Posts: 49
From: PORTSMOUTH, VA
Registered: Aug 2004
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posted 05-11-2014 09:11 PM
Marcel, Thank you for your input! Let me answer your very good questions... First, the DSS200 seems to only 'see' the IP address...133 and not the ...137. With 26 months worth of experience with this setup, I have had issues at 4 different times with the projector not starting at show time. Rather than try and trouble shoot the issues, I have chosen to power down the machine in question and power up the other machine. In every case, the show was on the screen within ten to twelve minutes. Later I determined the issue with the first machine and resumed normal operation on the next day. The time delay was due to the server down loading 512 logs from the incoming projector. This only occurs when the incoming machine has not been used for over a week. Your next point, well taken; is why have two 4K machines without an IMB. First, even with the content being only 2k, the output of the TI light engine is still 4K (duplicate pixels). The IMB for this machine lists for over $7,000. and with very few films released in 4K, I plan on waiting to purchase the IMB.
I have worked with the Dolby folks since 1977. I was the first in Virginia to install a CP100 (serial #10) for the film: A STAR IS BORN here in Portsmouth, VA when the film ran first run. I also trained at their San Francisco head quarters at three different occasions for their audio processors over the last 30 years. What I found and loved was there dedication to the art of sound processing and the high level of quality that went into the design and manufacture of their hardware. Sure, any piece of equipment can and will fail at some point, but my experience with Dolby is that their hardware is very well built and the weak link will be the hard drives (which I have two spares installed in the bays).
Steve, Thank you as well for your comments. At over $12,000. for the server, I am willing to take my chances and 'ride it out' with a single DSS200. I would appreciate comments from the FT community on what problems have occurred with the DSS200's that have been in service over the last few years. Maybe I can be better prepared if and when disaster strikes from the knowledge gained from the many of you who have had more experience than I with this digital hardware!!
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 05-12-2014 02:57 AM
Those $12K for a DSS200 sound more like Dolby list price, nobody should be paying that .
Besides some "hidden" feature only Dolby can tell you about, I guess the way Brad and Steve put it, using the server in dual-projector 3D mode for all content, will most probably work as expected. But it will probably also fill your logs with warnings and errors. If that's something you can live with, then you're fine.
quote: Fred Schoenfeld Your next point, well taken; is why have two 4K machines without an IMB. First, even with the content being only 2k, the output of the TI light engine is still 4K (duplicate pixels). The IMB for this machine lists for over $7,000. and with very few films released in 4K, I plan on waiting to purchase the IMB.
It helps to get rid of the screen door effect on large screens, but the 2K projectors usually have a better contrast ratio. So, if you do have a very large screen or you're planning to upgrade in the near future, it would make sense.
It still feels a bit like a waste, two of those 4K units, and no 4K content .
Those 4K releases will become much more common in a rather short time frame. The home consumer market is slowly moving to 4K and this "remastered in 4K" bullcrap will not be sufficient to fill the market with. Especially the early adopters know all to well that "remastered in 4K" is not like being shot and produced in 4K. So, new 4K content is needed to sell those new gadgets and theatrical releases will obviously benefit from that too.
quote: Fred Schoenfeld Sure, any piece of equipment can and will fail at some point, but my experience with Dolby is that their hardware is very well built and the weak link will be the hard drives (which I have two spares installed in the bays).
Not to discredit Dolby in any way, but their server hardware is primarily just that: Server hardware. They have proven to be quite reliable and the Supermicro-OEM hardware they're using is has some proven reliability in many other fields, but in essence it's just a bunch of standard PC parts with a few extras thrown in. Hard disks will eventually fail, but that's part of the design of a RAID system. It's always good to have at least one spare, as they're not that expensive anyway.
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