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Author
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Topic: SMPTE packaging
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Carsten Kurz
Film God
Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009
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posted 02-23-2015 05:37 PM
ISDCF is working on the transition for a couple of years now. Basically the idea is to arrange software updates for servers and projectors, audit them using test material from studios and mastering facilities, and make the transition as transparent as possible for exhibitors.
Some very few releases have been distributed as SMPTE DCPs already, e.g. the last two Hobbit HFR Releases. HFR and ATMOS DCPs have to be SMPTE.
http://www.isdcf.com/ISDCF/Home.html
It is not an entirely new DCP format, more a graceful transition between an intermediate, DCI defined initial packaging towards a more formal SMPTE DC28 defined format.
There's a couple of features attached to SMPTE packaging, and current server software supports an increasing subset of these features, as Dave mentions, e.g. audio channel routing.
Some older servers at some point will probably be left out from updates enabling these format changes. This could lead to incompatibilities of these servers with future SMPTE format variants.
Currently, the biggest issue actually is to offer an incentive to exhibitors to update their systems, which usually has to be paid for, and may introduce quirks. It's a classic chicken or egg problem.
It was easy for HFR and ATMOS, because exhibitors wanting to show HFR and ATMOS releases simply had to install or update to new equipment. But for the majority of installed systems the exhibitors don't see any benefit.
- Carsten
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